Tag Archives: inside this great jug

Inside This Earthen Book-Box Part 2

ITEB 2

Now I’d like to reveal my new ‘book-box’ with various parts of the Inside This Clay Jug project on display in it.

[I do not expect it to sell in fact on the contrary  it is my own personal gallery space in which I can house an important show about a vital phase in my output.

I have had many ‘shows’ of my output since leaving college in Exeter in July 1973. The leaving of college, like the leaving of school is an important juncture. Leaving school was for me as being born (again) when I dropped the manacles which had gripped me since first entering school aged 4.

The first hint or ‘show’ of my output was my buk Apul-One which said (to my school) “You no longer manacle me, I’m free as can be. I no longer had to acquiesce to the norm”, I could do it my way and I did, for example with the personalised phonetic (fonetic) spellins. As it happened in 1975 I couldn’t exhibit (in my ‘gallery’, which Apul-One was) the beautiful use of colour which my ‘art’ employed as that was too costly but I was able to use my B&W works. Those colours are now available in my ‘Shrewd Idiot Series’ of books recently self-published (2017).

The Inside This Clay Jug project is vastly different to the content of Apul-One & the ‘Shrewd Idiot Series’ which both appear to reflect my own journey through the early 1970s. Inside This Clay Jug exhibits and reflects upon my acquisition of knowledge in, what may be best referred to as, the realm of spiritual contemplation, my thoughts on the deeper aspects of my existence and my investigations into ideas and concepts a little deeper than the surface level at which most of us conduct our daily journey.]

1 isev buk box closed sm

The book-box is circa A2 in size & about 25mm in depth.

It is a ‘unique object’ which has the same cover design & material as the bound book version of ISEV, see ITEB1 in https://apulhed.wordpress.com/2017/07/09/inside-this-earthen-book-box-1/ .

1 isev buk box with open contents sm

Inside my ‘book box’ are lots of goodies.

There’s a copy of each of the books; G BATCH, Inside This Great Pot, Inside This Earthen Vessel (PK version), Inside This Earthen Vessel (DJ letterpress version) and the full set of 6 etchings from the G Batch master drawings plus the original poems printed on Japanese paper AND the tiny version of DJ’s ISEV.

1 isev buk box + 2 etchings sm

Here you can see the Jung & the Silesi etchings which are printed in sepia colour and have a tilted diamond shape.

1 isev buk box +sm isev sm

here is the PK version of ISEV resting on the DJ one, with a colour photo of one of his chases.

1 isev buk box sma closer view of David’s chase for the Silesi letterpress print

1 isev buk box +sm isev smthe other photo (we only recorded two) of the Beuys’ print chase. All six chases were dissed on completion of the set of prints.

1 isev buk box just open smAll wrapped in ribbon with DJ’s folder full of letterpress prints at the back

2 'Leaf Books' in isev buk box smFinally.

Possibly most beautiful of all?

A simulation of my two Leaf Books inside the book-box!

This juxtaposition may never occur, or I may make a book-box specifically to hold them together altho’ of course they must be sold separately because they are very expensive.

The 2 leaf books each contain six etchings from the G BATCH master series along with the six early poems about the ‘wise men*’ on Japanese paper.

G BATCH=*

Giorgi Ivanovitch Gurdzhiev

Beuys Joseph

Angeli Silesii

Tenzin Gyatso

Carl Gustav Jung

Hermann Hesse.

g batch vase sm

1969 poem in the back of an open lorry

In 1969 I wrote this poem in the back of an open lorry which had just picked up two sixteen year old hitch hiking Welsh newly-weds and a nineteen year old me.

carol fred poem alone

They offered to buy me breakfast in the transport Café cos I only had a penny left which I had been given by the girl Gwennie in Under Milk Wood (not)

Yesterday I wrote another poem on the train this time

a train poem 2015 sm

Not much has changed

Except my age, my experience, my prospects

I am still writing drawing photographing

As I move thru the days and years

Hoping one day to get thru

Maybe to you or

Some others

Then I popped into Tate and saw the wonderful works of Sonia Delauney displayed. And entered the Offprint art publishing fair at Tate which was great altho I only did about 6 tables of the 140.

I met some lovely folk. I met Richard Embray’s colleague at the Fourcorners table where I meant to buy their book of Paolozzi archive stuff but I never got back to buy it cos my ‘egs were laching’. I spoke with Krystine (?) at Argo Books and bought Kirstine Roepstorff’s beautiful ‘book’ Horizons of the Moving Mind which is composed of a folder, like my Inside this earthen vessel, with nine ‘repective pamphlets’ tucked inside a bit like b s johnson’s The Unfortunates. I am all into these odd arrangements in artisbuks cos I don’t like the norm. Ditto do some good books, http://shop.dittopress.co.uk/products/god-listens-to-slayer-sanna-charles-pre-order I loved their use of little inserts.

I particularly liked this one by sternberg press

http://www.sternberg-press.com/index.php?pageId=1546&l=en&bookId=440&sort=year%20DESC,month%20DESC

see also http://www.thebooklovers.info/Artist-Novels-The-Book-Lovers-Publication

and maybe this about Picabia- http://ensembles.mhka.be/items/11381

Then I met Aaron at Morel books http://morelbooks.com/Bookshop.html we got on fine and when I said I am re-working my 1970’s buk, the shrewd idiot he said yes send me some of the pages as it grows, so I shall as am getting very excited as the book develops. I am using the original hand-writings and the typewritten type as my ‘fonts’ and the words become the pictures. And the pictures will overlay the werds. I can’t ‘see’ the finished work but that ‘chance’ elememt is very exciting in the mix. He has a couple of Blake (Wm) plates and prints from them and also some work with Patti Smith who I luckily saw do her intimate readings of hers and Blake’s poems etc at the Blake Society do a couple of years ago. I like the way Aaron obviously likes the use of overlays on words and that’s the way my New Shrewd Idiot is moving, with my 70’s sketches and photos in front of the werdz and also I can scrawl over them with my hand-written and calligraphic ‘marks’ of today.

I managed to speak with Colette about my work and asked to be considered as an exhibitor at the next event, altho I’ll be a small teeny weeny fish in a BIG pond if I get a table. She introduced me to her partner who selects the table holders and both of them said they like my little buk Inside This Great Jug. And by the way last week the Saison Poetry Library has accepted a copy too.

I am pleased to say I shall be doing ma ting at the forthcoming Book fair at the Baltic in July, so I must learn the words and get dancing again. No rest for the wicked. Am also intent to make a new little buk about the creation of my big pic, Venus Stairs.