Burnley Ballerina gerl Sophie Hitchen gets a Bronze as the first ever Brit Hammer medallist! Whilst Burnley Football Club had two FIRSTS at the weekend; their first game back in the Prem and their …
Source: Golden moments Weekender
Burnley Ballerina gerl Sophie Hitchen gets a Bronze as the first ever Brit Hammer medallist! Whilst Burnley Football Club had two FIRSTS at the weekend; their first game back in the Prem and their …
Source: Golden moments Weekender
I did a blog (blArt I call ’em) earlier this week about the Somme. I found this one which gives more detail about the context of the Somme. So I thought I would re-blArt it.
This is the unabridged version of my new blAst for those of you who are not too busy to read its dense detail and not a bit squeamish as it contains details about the results of high explosives in WW1 that some folk may find difficult. The reason I mention them is because I firmly believe, in my naïve and stupid way, that all war and any assault on other humans with intent to kill or maim should be banished. (I don’t mind hard tackles on the field of sport as in some ways that is a way of working off aggression and in fact competition in International sport has proved to be a substitute for conflict on the field of battle!)
Reporting on my contacts with the ‘outside world’, UWE have put out their latest Artist’s books Newsletter and am happy to share that they, Sarah Bodman that is…
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‘…it is the very presence of the performance artist in real time, of live performers ‘stopping time’, that gives the medium its central position. In the first decade of the 21st century PA is at last being folded into the history of art proper, moving from the margins to the centre…PA continues to be a highly reflexive, volatile form- one that artists use to articulate and respond to change. It continues to defy definition and remains as unpredictable and provocative as it ever was.’ RoseLee Goldberg in Performance Art (PA). From Futurism to the Present.
As the new year gets going the great news is that I shall be doing a short performance art piece at the Society of Bookbinders in Kentish Town in March.
London and South Region of The Society of Bookbinders
Book Arts Day
Saturday 5th March 2016 (10:30 – 4pm)
(£10 members SoB, £15 non-members)
The day will comprise:
An illustrated talk on Book Arts by Sarah Bodman
A book arts fair presenting a variety of emerging and established book artists (many works will be for sale).
Demonstrations by a selection of the exhibiting artists.
A spoken word performance by book artist Pete Kennedy.
A mini exhibition of Sónia Serrão’s personal collection of artists’ books collected over the last 20 years.
Sarah Bodman is an artist and researcher at the Centre for Fine Print Research (CFPR), UWE Bristol, where she investigates contemporary book arts. She is also Programme Leader for the MA in Multidisciplinary Printmaking at the Bower Ashton campus, editor of the Book Arts Newsletter, Artist’s Book Yearbook andThe Blue Notebook journal for artists’ books, and writes regularly on artists’ books for ‘a-n’ and Printmaking Today.
I have chosen to do a variation of my Clay Jug piece because it resonates ‘book’ and I have several book projects I’d like to show anyone who turns up to see. It was originally done tward my MA in Art & the Book and I have ‘danced’ it at IPA in Glastonbury & Bristol where it was very well received. The books that grew into the project were greatly influenced by Joanna Drucker’s wonderful book on the Alphabet. http://www.goodreads.com/book/show/790760.Alphabetic_Labyrinth I experimented with:
I use the music that Luke E. Walker created for Clay Jug to spark my movement thru this piece. Here’s a link to Luke’s music on soundcloud:
I also recite the words of Kabir and, maybe, Osip Mandelstam). I also intend to show a couple of my most beautiful unique copy books that I did to house my six poems generated from the project. PLUS David Jury’s version in letterpress with a surprise package.
I am also developing a piece which I did at IPA several times in Oct2015 based on the words of a song from the wonder-full cd named still calm melancholy air brush hush by Colin Lloyd Tucker called Brush in which I have his words written and show them with movement as the piece progresses. I mime making a painting and in the end, in some venues, I actually brush an image onto a surface which can be paper and/or glass, perspex, wood, anything. I am looking to do it in shop windows, particularly art supplies places.
It fulfils my desire to follow in the footsteps of zen masters who write their thoughts in beautiful calligraphy and do drawings too. I may use Colin’s beautiful ambient music before I appear ‘on set’ but more & more I am working tward not having beautiful distractions as I move thru a piece, I am working tward playing the music in my head as I move.
another new idea I am working on is:
Somme Lads – Burnley Boys 1916
Designed as a solo work where PK plays two combatants, Tommy & Gerry. This is a commemoration and hopefully a reconciliation, of the horrific battle of the Somme July 1916. Tommy has a helmet like the one worn by Brits in WW1, but this also could be a cooking pot or wok like those we used to wear as children when playing war games.
My aim is to try to stop all wars on planet Earth, no pressure then Pete! My request is that the world works towards de-powering those perennial ‘leaders’ who create wars and create a planet where war is but a dim distant recollection. Can you Imagine that! Here’s Lennon my working class hero singing his song in a set which has all my favourite foibles in: https://www.youtube.com/watch?v=T2hvkPyiAFE You see John dressed in apparel almost certainly designed to antagonise the obviously ‘privileged’ audience his band played in front of dressed in his red suit and black round specs.
And Lady Gaga, almost outdoing Lennon with her glasses pays tribute to one leader (Obama) who tried not to wage war and her favourite song writer in her version of Imagine: https://www.youtube.com/watch?v=urjyP95H6vk
Here’s Marianne Faithful singing another Lennon classic, Working Class Hero in which he lays it down like he sees it, quite lucidly I believe. https://www.youtube.com/watch?v=x2SDRQJrawU
Finally another working class hero David Bowie who sang ‘Lennon’s on sale again’ https://www.youtube.com/watch?v=IftjxN_KJoM and whose outlandish dress-sense set the stage for Gaga.
I was hoping to do it in June at the book fair at BALTIC (Artists’ Book Market BALTIC Centre for Contemporary Art Saturday 18 & Sunday 19 June 2016) but haven’t been selected to do an intervention this year. So, if you have a venue in the North east area and want to see one or more of my pieces near the weekend of 18-19 June please let me know.
It may be said that Socrates was a rebel? He didn’t wish to follow no party line and when he was in 399 BC by 3 Athenian citizens of failing to worship the city’s gods, introducing religious novelties and corrupting the young men of Athens and told to renounce his philosophy in court, unshaken from his convictions despite being denounced as foolish by a large number of Athenians, he spoke,
“So long as I draw breath and have my faculties I shall never stop practicing philosophy and exhorting you and elucidating the truth for everyone that I meet…” (See Alain de Botton who says this promised him, ‘a counterweight’ to his own ‘supine tendency to follow socially sanctioned practices and ideas’ in his book The Consolations Of Philosophy). Botton goes on to say his ‘priority was to be liked rather than speak the truth. I didn’t publicly doubt ideas to which the majority was committed. I sought the approval of figures of authority and worried at length whether they thought me acceptable. but Socrates had not buckled before unpopularity and the condemnation of the state. he had not retracted his thoughts…he had [his] rational , as opposed to hysterical, confidence when faced with disapproval.’
All of my life, at least since I began to realize I was ‘here on Earth’ aged about 10 I have fought against that ‘supine tendency’. Maybe that’s what held back my progress in many situations in English society? My lack of conformity (or was it my face- it didn’t fit? or my choice of deodorant?) meant that I had to fight for almost every inch of ground I made.
Like Socrates I’ve been a renegade ever since ‘they’ rejected me at my secondary school, (‘they’ being the powers that be/the status quo holders who saw me as scum from a poor working class family who didn’t always agree with what they said) and I rarely if ever sought approval, especially not by altering my work and ideas. so, in simple words I paddled my own canoe. and my canoe took me to some strange and wonderful places, mainly in dream but also in some of my output. one renegade, the late great Jackie Leven, introduced me to Kabir and Robert Bly through his wonderful song Inside this clay jug. A lot of my work since hearing that song has been about the mysteries of life and mystical ideas. Some folk think mystical means ‘not for me that strange stuff’ but no, if you listen to Bowie’s music, at best, it has a mystical chime. It’s like searching for the lost chord and he found it sometimes like in Ashes to Ashes, China Girl and his last songs plus vids for Dark Star etc. Mystic is when you hear or glimpse that something which emanates from a place far away and deep inside you. Namaste. Om Mani Padme Hum. listen to Van’s Into the Mystic from his astral Weeks.
The wonder-full American artist Robert Smithson, who created The Spiral Jetty, on Great Salt Lake, Utah in 1970, was a renegade & a wordsmith too as witnessed in his Heap of Language sketch:
“Smithson becomes exhibit A for the case that an eruption of the linguistic sign into art has fragmented beyond repair the traditional integrity of the object…” Thomas Crow in Prophetic Turns In The Life & Art Of Robert Smithson.
My writing also is part of my ‘art’, equally nowadays, as always, words play a role in my performance art. My 1975 buk, Apul-One, was a ‘work of art’ in its whole = images, words and book.
This renegade never did the obvious, rarely followed the rules and always bent them even if only a titsy witsy bit. Thereby he made it difficult, by not following the trend, the advice, the latest fad etc.
I remember going into Slade Prix de Rome scholar David Wild’s ‘life-study’ night classes and seeing a day student doing (copies of) hard edge American abstract painting by using masking tape to get straight lines on his canvas while I was learning how to observe and paint the figure. I made a conscious decision there and then I wouldn’t be doing no American abstract painting then nor not ever. (In fact a couple of years later I fell in love with Barnet Newman’s work in the big London retrospective of his work and did adopt some of his techniques, but in a way which used his ideas of fields of color which I then placed my images into with ‘zips’ (gaps) separating them. My images might be mimics of other Abstract expressionists set against realist images. So you see, I even broke every rule I set myself. The come uppance was that I kept my eyes open to different possibilities and I could be inspired by many things that the ‘mainstream’ art student would not look at cos it weren’t in fashion. Similarly, I liked Roy Orbison when the Beatles were all the rage, and Van Morrison when most folk hadn’t even heard of him.
Which takes me onto Hermann Hesse (HH), whose book Steppenwolf I saw in a Truro bookshop window in 1970 and on the cover was a Paul Klee painting so I was intrigued enough to buy and read it, so my journey into Hesse had begun. It was his writing which led me to the wonders from the East. Now when you looks at my recent works where I do things like poems inspired by Hesse and Dalai Lama you’ll agree they’re not the most fashionable icons nowadays, butti don’t care. It’s my art. Come back with me, to a day when the Upper Class (expletives omitted) led their campaigns for King & Country to conquer lands in Scotland, Ireland, Wales, South America, Africa, to asia minor & China they were, for the most part, looking for gold or jade etc and they gottit in abundance as they stripped whole countries of their inheritance. BUT in fact they missed the real treasures which eventually filtered thru to the west via the likes of HH and scholars who studied unknown languages like Hittite & Ghandaran. The real treasures are more lasting than gold, they’re spiritual. Things like yoga, tai chi, and meditation, the religions of old (like Hindu, Zoroaster) and in Tibet’s case, new – Padmasambhava brought Buddhism to Tibet in the 8th century AD. Insight into our place in the Universe is being enhanced daily by astronomy & science but we benefit from things brought to us by Tibetan Buddhism, Muslim Sufism, ancient Indian ideas about the cosmos and the place of us ubeings in it which they anchor down thru yoga, Chinese (&Malayan) Tai Chi does similar things with mind/body equilibrium. Who needs the gold that artists like Damien Hirst use?
on a better note
Here’s a lovely song of Bowies sung as a tribute to another renegade. Listen to her pre-amble, it’s lovely too
Going back to thoughts https://apulhed.wordpress.com/2016/01/10/a-lifelong-friend/ on my old friend for 60 years Trev*, initially it would trouble me that my words don’t reach people like him but, on consideration, I have spent 48 years developing my words & ideas which he neither followed nor kept up with my path, why should he? I don’t understand his zone either, he was an accountant, I don’t do money, ask HMRC they’d confirm that. *Good news is Trev got in touch and said he enjoyed my last blArt.
Here’s the first viewing of one of the Apulhed Comix c.1977 that never got published in the 1970s. By 1979 I had created Happy Apulhed, a much more friendly, less eerie character.
When I was doing Apulhed comics at college in the early 1970s my old mates back in Burnley could explain my work was beyond their experience by saying, “Pete’s gone off to college and is full of new-fangled ideas, he’s just a bit strange but we can tolerate that because he’s…” Now nearly 50 years later I have further widened the gap. Not vindictively, just by osmosis, as a result of my endeavours but it still begs the question- If my art cannot reach ‘normal’ folk, am I missing the mark?
Nonetheless folk from all over the world do find my art interesting. yesterday I had hits from Vietnam and Sweden and my total views is fast approaching 10K. Some write and say I write well or the blog is good. But more, I feel that when I do any more Performance Art (PA) I’d need to be able to communicate or ‘get’ to the public’s minds whilst neither condescending them, nor demeaning my ideas of course. There would always be an elephant of surprise and an unsettling feeling in the outcomes I produce to keep the onlookers’ attention. Don’t want youse all falling asleep now do we?
I have been looking again at Verena & Andrea’s (Vest & Page) stuff in the vids on their website. http://www.vest-and-page.de/#!selected-works/caf0 They show by their astounding work that by comparison my work is a mere blot on the floor left by a PA Baby in his swaddling bands. (‘Swaddling’ is an age-old practice of wrapping infants tightly in blankets or similar cloths so that movement of the limbs is tightly restricted. Swaddling bands were often used to further restrict the infant. At the moment I feel constrained as if by swaddling bands and only by ‘getting’ my work out there’ will I change my garment, or maybe relinquish [most of] them.) The good news is I’ve been invited onto the Book Arts Day for The Society of Bookbinders on Sat 5th March 2016 in little old London town to do some Performance Art. Right now I’m working on a new piece, ‘Brush’, using words from Colin Lloyd Tucker’s beautiful song ‘Brush’. My friends, the Townsend Twins are helping choreograph the movement. I may also include a new rendition of Clay Jug after the beautiful poem by Kabir.
And ‘PA Baby‘ is maybe another pseudonym for me as it cover the fact that I’m old enough in calendar years to be their grandpa yet in terms of my experience in the field of PA I’m just a baby. In fact whilst at IPA in October a lot of my work brought me, and indeed some observers, to tears. In my case because I was going back into my early experiences and re-living them and also seeing that at 64 years old I weren’t about to have certain experiences again and indeed the inevitability of the changes old age will bring also weighed down on me. I got my crying in first. Some watchers cried in sympathy, some because I touched a chord and others just cried cos they were incredibly tired after 8 days of full-on PA practice with a group of strangers to start with who fast became close bonds. I still find it so daunting to think of what is out there in the Performance Art field. But it’s silly to compare. It’s like comparing a little village’s pub band to the Rolling Stones but there again the greats do look at the new stuff coming thru and like V&P are very encouraging. My mate IEPW told me that David Bowie liked Arcade Fire so much that he requested to sing with them and they accepted his offer. https://www.youtube.com/watch?v=z6c9Ejfu-iU
Also he did this with them uploaded 2 Feb 2006 https://www.youtube.com/watch?v=EkCc_qiI7UA well now, David had another 10 years.
Deathday instead of Birthday celebrations?
A Big Cloud of Unknowing.
When I heard of the death of David Bowie I thought to myself, they should have a day each year to celebrate him, maybe his day of dying would be the best day for an annual remembering of his creative, original and inspirational, trend-setting (in its purest form) life. Undoubtedly he did set trends.
The Dalai Lama has said, “Usually I don’t consider birthdays something important. In Tibet we consider the death anniversary more important. I think that’s quite wise. A person who made good contributions in life, then after [their] death, remember them in some anniversaries…as a Buddhist monk I believe every day is a new day, every day is birthday. The particles of our body momentarily changing, always become something new. Mental thinking, because of new knowledge & experience, also changes. So every day is a birthday. [If] we use our day in a proper way then the months & decades, whole life becomes meaningful. If you can help other, do it as much as you can. If you cannot do it, at least, restrain from harming others. That’s the essential of meaningful life.”
I’ll drink to that, nowadays my chosen drink is water.
Now I can listen & hear what three wise men, Krishnamurti, Roy Fraser & the Dalai Lama, have told me, I don’t know why but there it IS, maybe cos am old?this was Roy Fraser’s little ceramic Buddhai what I drew…
OM MADI PADME HUMMMmm
Like many others of the Sixties generation I tried to change the world these past 50 years. But, like the US forces going into Saddam’s Iraq, I never had a contingency for what to put in the old world’s place. I found out that nobody changes the world cos the world just carries on in it’s own bittersweet way, forever. The world in which we live, or should I say Universe, has been going on for millions of years and will continue with or without us ubeings. In fact if we blow the Earth to smithereens the universe just keeps rolling along with what’s left of the Earth and all who dwelt there re-constituted. We are in fact always re-constituting, part of you and me was in the BIG BANG what made the existence we became aware of. When we die our bodies will re-constitute once more and help make up other things. If we have a spirit or a soul that carries on somehow.
‘This mug is a combination of particles, atoms, quarks [like the old man in the sketch above which is for me maybe the best thing I have ever created. I very rarely draw things from my mind without any visual prompt but this old guy just arrived from my pencil. Like Lennon used to say he didn’t ‘write’ his songs, he was a conduit thru which they came, same with this old guy]. But each particle is not ‘mug’. The same can be said of everything, including yourself. The mug, ‘me’, are merely labels, something we use to describe everyday reality. The mug, me, came into existence because of a complex web of causes and conditions. They do not exist independently [our] existence is dependent on an infinite, intricately linked series of events, people, causes and conditions.’ Dalai Lama in The Wisdom Of Compassion.
One of the Dalai Lama’s teachers was Dilgo Khyentse Rinpoche and I found a beautiful film about him here https://www.youtube.com/watch?v=DQPmnGTUHYU at about 25 mins in it gets very good, seems we are taken into a Shangrila! I even see them printing off pages of a pothi, one of their bookforms. It’s amazing to me how similar looking Khyentse was to one of my mentors in life, an old friend who I painted awhile ago called Roy Fraser. Roy was also into spiritual searching and I had lots of interesting chats late into the night with him alongside a ‘spirit in a bottle’ called Glenn Fiddich.
Roy FraserDilgo Khyentse
If you have a couple of hours to spare, take a look at this Buddhist woman and her take on Compassion: https://www.youtube.com/watch?v=datWeGjthJU&feature=youtu.be
Both Tai Chi and Ashtanga Yoga help body and mind to gain good health and equilibrium. I won’t bother to explain that here, just believe me.
I was lucky enough to be able to start doing Tai Chi and Ashtanga Yoga with Gareth Chandler http://www.garethchandler.com/links.htm out of Chelmsford about 5 years ago. Like lots of people I didn’t know what I was doing. Now I discover that what I let myself into was an incredible asset for (my) life (and yours too if you want to try it!). I have moved on to learn Tai Chi with Master Ch’ng Lay Seng in Witham. http://clstaichichuan.co.uk/
Master Ch’ng Lay Seng
Both forms do incredible benefits for the body and mind. These couple and inter-relate with my interest in Tibetan Buddhist ideas, zen and meditation. The more I do it the more I learn how much they are so interconnected. All of them have had a profound effect on all that I do.
I read a book ‘Finding Balance in the Midst of Chaos’ by a ‘Peter Strong PhD’ which is strong medicine, in fact it’s too difficult to read without making notes and having a dictionary of sanscrit/pali words handy but I would like to share a passage where he talks about our body & mind’s ability to maintain ‘homeostasis’ or ‘same state’ balance in our life. Our body is regulated by responses designed to maintain physiological & psychological equilibrium by adapting to ‘instability created by external or internal stress’.
The Dalai Lama also says ‘…karma means cause & effect. Suffering (dukkha) is unavoidable [it is a ‘given’ in human- ubeing- life, ed.] it is something we have to deal with. Accepting the situation decreases anxiety. Acceptance gives peace of mind’.
Psychological equilibrium comes when ‘there is freedom from conflict and suffering. This state is called dukkha-nirodha, ‘dukkha’ being ‘suffering’ and ‘nirodha’ meaning extinction. [think of suffrin-eroder, to erode suffering maybe] Before I befuddle you more with Strong’s words I must say that if you look at the writing of B S Iyengar you’ll find the benefits the different yoga moves/positions (asanas) manifest on us ‘yogis’ [a ‘yogi’ is just anyone who does yoga].
Also when Krishnamurti revealed his secret to life he said, “Don’t mind what happens”. This gives us a clue as to how to reach a place where we find our own equilibrium but it’s very hard. His choice of words as always is very clever. He doesn’t advocate not being interested nor taking initiatives, he just says “Don’t mind what happens”, which to me means, don’t ‘attach’ to what happens, don’t cling to memories, things, ideas etc., we all have our experiences and sometimes we get embroiled, we can’t detach and that can lead to all sorts of issues.
[a spurious aside- Like I can’t, or couldn’t detach from the idea that my art was worthy and the world did me a dis-service by not attaching to it and giving me loads a money and praise and love and attachment. Then I look see what those results brought for the likes of Michael Jackson, John Lennon & Elvis the Pelvis and I can see I don’t want loads a money and praise and love and attachment. I am now more ready to give up my forlorn attempts to be up there with the famous ones, or the special one Mourn-inho! I think myself lucky that I never made it. I no longer ‘mind’, even if I did in the past and that’s really an ‘if’. I have had moments, I’ve had positive feedback which has gone into the burner and helped energise me as did criticisms cos often I’d not take them laying down, I’d up and at ‘em. I’d make my next ting beat better. All the time I wanted to improve. Which is funny when you’re running in the wrong direction with all the prizes under your arms, and then they begin to melt or even worse, rot. I had an instinctive feeling when Mourn-inho returned to Chelsea he would regret it, and now he does. Then again, I wouldn’t put it past Mourninho to have manipulated the situation so that he became persona non grata at Chelsea FC just as it was becoming obvious that Van Gaal had underestimated the task at Man U FC and is proving a little short of the required level to sort that old monster out quickly enough for the expectations in a league where measure has become greatly distorted by vast amounts of money?]
Not ‘attaching’ gives us the opportunity to establish and maintain equilibrium so that if we need to assess some situation we can be non-judgemental. Thereby, having no side to take our reactivity is lessened, maybe to nil. We become observers. His mind, in Strong’s words, is “free to respond in the best way possible to resolve suffering (known as dukkha) and restore stability. Strong cites the 2nd Law of Thermodynamics which he states states that all systems seek a state of maximum (thermos) stability and will change (dynamic) if given freedom to change. It’s a battle between habitual reactivity (habits formed thru conditioning & experience) and the natural intelligence which innate (existent but usually dormant within us) in our psyche. Habits so often overrule the intuitive wisdom. Krishnamurti leapfrogs this conundrum by a conviction not to be bothered by what occurs (Am Oi Bovvad?!). I am going to make it my New Year’s resolution to try not to ‘attach’ to trial, tribulation and triumph!
‘Whilst Live Art remains elusive to most mainstream commentators its influence is pervasive, and intriguingly the concept of performativity – its central tenet’ from an article by LADA (Live Art Development Agency) Director Lois Keidan that appeared in Guardian Online on 22 October 2015 when I was half way thru the two week course led by Jurgen Fritz which has totally re-aligned my thinking on what my art is, was and forever more will BE. I am so determined to do Performance Art in my future and have just come across a conversation involving a friend I made (Andrea Pagnes http://www.vest-and-page.de/ ) at the IPA fortnight with a man whose work totally blew me away when I discovered it in a book that I saw at the bookshop in the National Theatre (I’ve yet to see anything other than photos of the man), Ron Athey. Their conversation gets to the hub of the issues in PA and altho I am a novice by comparison I felt so privileged that both Vest & Page said such wonderfully constructive things to me about my efforts. I received so much encouragement to carry on. Recently I have heard it said that ‘art’ is a minority interest (but today on Anglia BBC morning news they tell me “Creative Industries are worth £76 billion per annum to the ‘Economy’- why don’t i see any o that?), well it may be a minority interest to some but it’s been my obsession now for 48 years. I still have some more to say and it will be thru PA/Live Art which is so much more demonstrative in its appreciation than the ‘art world’ [sorry art-world but I been trying to make a dent on you fer 48 years and the door won’t budge! At least when I do Live Art they clap and cheer (when I get off)]Hee Hee.
That’s Andrea in the mask on right hand side.
Some words from Andrea Pagnes in conversation with Ron Athey,
AP‘… the richness and uniqueness that can emanate from personal experience, lived life and the consequent artistic research which arises directly from the deepest inclinations and existential urgencies of an individual.’
‘…when performance art intersects life directly and uncompromisingly, and draws on the most basic instincts, processes and transforms the deeper reasons and urgencies of Man’s presence in the world … it is revelatory: a sincere, transformative experience on human scale.’
RA says, ‘…How, in any medium, to bring something esoteric to
life, how to disturb a given, how to represent the super natural.’
AP you have … challenged conventional bourgeois mores, tastes and expectations
…by addressing viscerally emerging social hypocritical worries…’
RA performance art today… is not populist. Why not do benefits/write for funds/self produce in an amazing site-specific place? Cuz it is so much work but so worth it!
I love the bit about ‘the richness and uniqueness that can emanate from personal experience’ and that underpinned what 3 of my course leaders said to me. Andrea saw the natural clown/fool in me in two settings which he commented on. I see from the vids on V&P website that he has done much work with clowns.http://www.vest-and-page.de/#!the-smile-at-the-top-of-the-ladder/c1orh
They all encouraged me to use my life experience in my PA, something which comes easy to me I must say as I’ve reached a point in my life where I treasure every moment I have lived and I am ready to go out there and bring my stuff to folks in a variety of settings. At IPA I used some of my Ashtanga Yoga practice in some of my pieces, particularly the Jug Dance but there were other ‘moves’ and references too. Ashtanga Yoga is a fairly vigourous form which emanated from the teachings of T. Krishnamacharya thru his pupil K. Pattabhi Jois. Another of his students B K S Iyengar popularised his Iyengar form in Britain from the 1960s. The main difference as far as I can see is that Iyengar encourages the use of aids like cushions to ease the new student into the forms that can be somewhat excrutiating for a long time for starters. I for one have massive difficulty trying to do a lotus position but no matter, you do what you can and you gradually move towards perfection.The good thing is people do yoga into their 90’s which is fortunate cos I never started til I were in ma 60’s!Photo by Nicole Murmann (thanks!)
This is not Yoga it is Performance Art, why? cos PA is what the artis says it is, Jurgen told us that, didn’t he?
I discovered a book on yoga which I’d recommend to anyone who wants to know its benefits, it’s called, The Reluctant Yogi by Carla McKay http://www.goodreads.com/book/show/15000943-the-reluctant-yogi
I have been doing yoga once or twice a week and now I am so glad I began as it’s obvious it has so many astounding benefits.