Category Archives: performance art

An idjet suckseeds!

At last I did ma Shrewd Idiot & The Three Graces gig in front of an audience (of 22+ cos some came in came out as you’re allured to do in Live Art pieces, altho one or two walked out before I began!) and I finally discovered with a little ‘elp from ma frend (see below) why I do it. At the Arnifini in Brissole in their wonderful Dark Studio. It had been suggested that nobody would have the energy nor drive to wend their way up there at 5pm on an afternoon but beautifully every available seat was filled and the witnesses seemed quite attentive, nay near mesmerised.

at BABE 2017 crowd GREAT sm

Much to my delight, as I had practised the ting and planned it over so many weeks without knowing if I’d be talking to myself alone on the day. I wantu thank my friend Dave who was first to say how much work it needed just six days before the event. Then my friends Max, Linda, Christine & Tom who said it really needed some big changes just five days before the event. I applied their advices. Christine did a lovely print & fold job on some words for me to hand out as folk arrived from which I read my ‘intro’ before I began the real ting.

Three old college mates came and it was wonderful to see them. Each of them features in ma big new deluxe book The Shrewd Idiot based on my thoughts & activities at St Luke’s College Exeter between 1969-73. My mate Gus was joined by his daughter Hannah who also does Performance Art and wasn’t even born in the time the books are about!

Tanya came to see what my fuss was all about. I’d like to thank them all for coming as well as all the other folks who came along. The gathered presence really inspired me to rise out of my fears and let the whole ting ting along well and it seems they all enjoyed it, especially the ones I mentioned above.

So what happened?

a PAPete shows Ahed Sees sm

First I shewed ma 3 new books (quickly as I was told this gig should last just 15 minutes).

a PK reeds da poem

Then I read from Christine’s handout.

a PAPete68 mask BEST sm

Then I got into character for the first few movements. The mask was taken from a painting I did back in 1968 which was exhibited in Burnley Artists Annual summer show that year. It was a face which represented the 17-18 year old me-myself-I, which is what the books appear to be about. It is also the first page of the Shrewd Idiot book printed on Zander’s Translucent paper so you see the title page beyond it as a sort of palimpsest. There’s 10 images on Zander’s Translucent in the deluxe A3 version each of which brings a palimpsest quality. For me it is a metaphor which signifies that life is not just what we can see and touch, there’s lots of other ‘stuff’ behind the veil. The painted face becomes another form of veil too, my mask. I always work on hunches in most all of my creative endeavours. I had a hunch these masks would be powerful, and they were, or should I say, ARE. I hope to have many opportunities to use them again and in fact I hope to make some 3D wraparound masks for future appearances as Apulhed & The Shrewd Idjit.

I did a couple of crazy dances meant to show what a ‘wild one’ I was when I left ma home toon to find ma way in th’world. The ting got serious when I told them I’d found a new girlfriend (Rose) but (rather carelessly) lost her at the bus stop. Van D. Man brought me a Beautiful Vision of her. After I lost her Lady Gaga had me howling at the moon in my doldrums.

apul 73 prays BRILL sm

Suddenly, out of No-where, came a Stranger with an apple-shaped head and he seemed to want to help me. But he was a new arrival on this plane and he was somewhat perplexed by the sad things mankind does to humankind. He almost set off back to whence he came without giving me (and you) the benefit of his shrewd wisdom. When I did my first ever Performance Art gig using his visage on masks in Exeter in 1973 he seemed to see a shaft o’light thru the haze and so he stays but he said, ‘Man must mend his ways, starting with YOU!’

Then Van sang Warm Love bringing back memories of the time we had together, a memory I chased and tried to cling on to. But I returned to my old wild ways, by now I was making a Cry For Love, aided by Iggy & Bowie’s song and ma new mask.

a PAPete coxie begs sm

I’d almost given up hope when this beautiful woman (Camellia) arrived and gave me a present I didn’t really deserve which Iggy Pop told the story of.

Camellia also brought her highly intelligent rational skills with her which I celebrate with The Waterboy’s song Whole of the Moon. Sadly I couldn’t keep hold of Camellia at the time and I was on the road again alone and missing her.

apulama implores sm

Once again after the moon enter Apulhed-man.

a PAPete in hat glances sm

This time lifting me up onto a higher plane where I was again joined by Van. He sings about being a Dweller on the Threshold, I tip toe across the burning ground and kneel down by the water where the lovely song about spirit leads me away, to delve into the mystic. “I looked at the swim and I dived right in!”1 apulama astoundin electric DARKA sm

To find the truth you got to look inside.

apulama & me contemplates sm

Meditation helps you to do that.

a apulswalo outlineI actually had picked up the wrong mask for my final fling so my Apul-Swallow mask insisted he be photographed outside of the Arnolfini as a goodbye gesture.

a beautiful winners + stars in ma eyes sm

And all my friends came too…

The feedback has been good too. One friend said he remembered that I always liked to dance, another said she thought I danced beautifully which came as a pleasant surprise. My old mate from Enfield said ma gig was ‘…very moving and affecting…’

This was also what ‘James the tech’ in the Dark Studio said, ‘I was strangely moved by it.’ I am so pleased that it came over that way.

The Enfield Man (EMan) later wrote me saying, “…we had a chat afterwards about your performance and books and we reckoned that, based on what we saw, your books together with the performance was the best thing that we saw at the event. What you did, in my opinion, was to say, “look artists’ books are really different“…they are not just books with the limited and specialist vernacular that goes with the production of a “book” for a literary audience …artists’ books are a completely separate art form. Your performance really adds to your books as works of art. ” Also- “…The Shrewd Idiot book has a wonderful feel and special value attached to it just from a “laying on of hands” point of view…”

That’s exactly what I hoped I would achieve in my works, altho’ it has not been easypeasy. Sometimes I have wondered whether I been forever Barking up the wrong trees, ‘Am a long way from home (my comfort zone). How did I get here?’ It is so gratifying that am getting such lovely reinforcing comments.

ps I am working on a smaller version A4-ish) of The Shrewd Idiot which should have much of the ‘feel & look’ of the bigger (A3-ish) deluxe version but will be a tiny proportion of its cost.

Talking about ‘the feel & special value’ of real books my downunder friend Fiona Dempster did a blog – https://mail.google.com/mail/u/0/#inbox/15b43ee869fd87b2 on th’smell of the buk.

This coincided with my friend (who I met at BABE four years ago!) Susan at Bound’s tweet: https://twitter.com/boundbyhand/status/850335549034561537

An Incredible Coincidence

Ma next blArt will be about the poet Pessoa and my being caught between Bookartbookshop & The Poetry School on Thursday 6th April.

The 3 Graces meet Appleheadman.

ahed swallow mask gn sm

Let me explain some of the characters who will play a part in my Live Art gig The Shrewd Idiot & The Three Graces with guest star Appleheadman at the Arnolfini on Saturday 1st April at 5pm in the Dark Studio on level2 during the bi-annual meet of The Bristol Artists’ Book Event (BABE) 2017.

First let me explain why I do such things which keep keeping me far out of my comfort zone as every one that I do gives me lots of challenge. This time I am doing it to bring my new book series to life, literally! I have just finished creating 3 new books which centre on the life I was put through from 1969-73 between three beautiful places in England; my home town Burnley, my college town Exeter and my summer vacation town Bournemouth. The subject of the books is threefold; growing up, becoming a fully-fledged creator and my ‘affairs’ with three beautiful women. My books ram 4 years into 125 @ A3 sheets, my PerformanceArtPiece (PAP) rams 4 years into 15 minutes! Easy-Peasy.

I love making books, by which I mean the whole process from concept thru writing, image adding, layout, control of print, bind and materials. I love doing the PAPs. I been doing books & PAPs since 1972 and hope to go on a long time cos I have a big back catalogue of material awaiting production.

a wrap pete & jamie2
Enter a caption

That’s me in the batter hat with Jamie Burr in a wig during a gig at IPA 2015 photo by Jurgen Fritz

It is useless doing beautiful books if nobody gets to hear about them nor ‘gets’ what has gone into them so I have upped my Live Art side by exposing myself to a 10 days PA session with IPA in 2015. That gave me insight into what folk are doing and where my limited skills fitted in. It also unharnessed my latent penchant for making a fool of myself.

a-cover-embossed-a4-right-side-view-sm

Which brings me to the main character in my new PAP, The Shrewd Idiot (Th’S.I.). Some folk may have the mistaken notion that it’s me but it can’t be cos am not that shrewd! Th’S.I. thinks he can mime, dance, do poems, dress up and no doubt he’ll turn up next Saturday.

3 graces
The 3 Graces; Bluebell, Rose & Camellia.

The Three Graces were 3 unsuspecting women who thought the guy they met at the disco was not just a great dancer but also kind & considerate. By the end of the book they all have seen the mistake they made and slung their hooks (at the SI!).

Appleheadman, an ‘alien type’ [never said what dimension he or it’s from, actually it emanates of course from my sub-conscious but I believe that store taps into other things which we don’t really understand], who was shocked at some ‘human’ behaviours when he first saw them. Then as he studied humans he saw they also had good habits too like Rock music, Beano comics Football. These areas are some that I covered with illustrations that I created to place inside some screenprinted heads of Appleheadman back in 1972, the prints were all individual at about A1 size and formed into a concertina book. Until recently print cost would have been astronomical so I never did a smaller version for public consumption but now colour print has become a reachable price and I have made 50 copies at c. A5 size which are ‘perfect bound’ with a little embossed stamp on the cover and a mirror inside.

I hope to find time & space to show my books to those of you interested in ma books at BABE. I’m bringing a ‘view copy’ of The SI book and the only copy of PK 1968-73 along with lots of copies of Appleheadman Sees hot off the press last Tursday.

I hope you can make it.

Namaste

Pete

If you like this blArty bit there’s 2 more o ma blogs yez needs to peruse about ma new buks and the next gig:

https://apulhed.wordpress.com/2017/03/21/wonderful-breaking-news-about-the-book/

&

https://apulhed.wordpress.com/2017/03/02/an-announcement-on-world-book-day/

See ya there!

Wonderful breaking news about the book.

PK 68-73 cover front sm

Wonderful breaking news- I picked up the first copy of my second book in my series about my college days from my binders Sullivan & Son, Colchester and it looks beautiful. I’ll only have one display copy for BABE but it’s a great sidekick to my Shrewd Idiot book. It’s got 37 images on Zanders translucent paper and is bound in an unusual way inspired by a little book that Rauschenberg made about 1954.

After my last blArt about nearly being marmalised by my big book I received several emails from folks out there showing how my stupidity generated lots of mirth, and sympathy, including one from my blogger friend Fiona in Australia.

‘Pete, Not your brightest moment right?  Nonetheless I totally understand as I often think my way through things like that – only to realise I have forgotten one important element of the process that could cause my downfall!

The book is looking brilliant – when I first read your email I thought you had made some super stupid mistake with the book for which you were kicking yourself; but in a way I was pleased it was ‘only’ a glancing physical blow… Glad the nose is the only damage done. Fiona.’

Fiona, I love your bit about I maybe ‘had made some super stupid mistake with the book’. Super Stupid is one of my stop off points.

Much of what I ‘appear’ to do is not what it appears to be. So, the Shrewd Idiot (SI) appears to be a story about a budding artistfella but it’s not, it’s about the advent, and continuance thru a lifelong period, of ‘creative consciousness’. Which led to my interest in Dalai Lama & Buddhist stuff including Zen, all of which I have not explored sufficiently yet. But I tink that skirtin alongside it has changed my life, given me more grace and satisfaction that I am on the reight track. (In Burnley where am frum we say reight rather than right!) [But we don’t say reight for write, right].

Finally, if you’re still awake, I am doing a 15 min live art ‘performance’ of the book at Sarah’s BABE and have learned to edit songs on audacity which I’ll use as backing for my piece and as you say…’as I often think my way through things like that – only to realise…’ there’s a beautiful line in a Iggy Pop (Up man) song Shades, “that may be something my mind had not followed through” (https://www.youtube.com/watch?v=ehABjBdTq-Y ) and that so applies to me so many ways! As far as the book’s concerned, after 40 years I think I thought of everything. It’s beautiful cover, the texture of the flysheets, and even the colour of the page marker ribbon. It is my masterwork.

About my gig at Arnolfini during BABE on April 1st.

As always I tend to do things which are considered impossible or inconsequential by ordinary folks and agreeing to do a 15 minute ‘Live Art’ enactment of the 4 years I spent at college in Exeter tween 1969-73 may seem to those who don’t know me as rather ambitious. Well representing 4 years in 15 minutes is not as daunting for me as galvanising a crowd seems to be. Those of you who know me well know too well how shy & retarded I can be so advertising myself is not an easy task but it just got harder. During last week I was taking a look at the Arnolfini website and its publicity about what’s going on around the BABE days specifically what’s on at that weekend-

“BABE 2017 includes a mini exhibition, performances, interventions, book making workshops and more! See the series of events happening throughout the weekend.”

which took me to:http://www.arnolfini.org.uk/whatson/series/babe-2017

So I contact the gallery and say that I find there’s no mention at all there of my gig and that I am getting worried as it’s a great deal of travel and organisation that I am putting into it,

“I am putting many hours into the preparation of the music, movement, masks etc and I find it quite upsetting that my Live Art gig is not mentioned at all.

Please can you flag it up, otherwise… I’ll just be doing it just for a couple of friends.”

attached two of the 6 masks I have prepared, plus a pretty detailed outline of the piece and that will also show that, although it is only 15 minutes duration, I am putting a great deal of effort into getting it well polished.

My concern elicited a reply which could be taken as rather disheartening although I am sure it was meant with the best will in the world, I am not disheartened, I replied,

“I understand your feeling that ‘it might just not be worth it this time?’ but I am getting a lot out of preparing it which I am sure will come in handy later, for more gigs to do with the books.

I was thrilled when Sarah gave me the spot…”

I cannot contemplate backing off now, anyway, many of my costs have already accrued.

I am very committed to this gig and I want it to enhance the weekend, to add another dimension, otherwise I would not have embarked on it. I shall keep in mind the possibility that, as the Dark Studio is such a lovely venue, there will be a few come to see me do it. They can stand up too if they like and one of the things about Performance Art (PA) is folk can come and go as they please, it’s not like a performance where people sit and watch, even endure, to the end, no PA is Live Art and the ‘audience’ can be as much part of it as the PA practitioner.

I know 2 people already who will be attending, another one and ‘three’s a crowd’!

As always, the show must go on. I learned that at the Arnolfini in October 2015 when I did a PA piece outside in the rain.

a pete in rain at arnolfini crouch sm

I thought nobody was interested but I continued doing ma gig and only afterwards found out lots of people were watching and enjoying it. OOZin Gloop liked it as did Paul Hurley’s friend. Nicole Murman a Swiss participant took the image above and about 80 more photos for which I am really grateful. PA is notoriously undocumented as a lot of it happens spontaneously. It’s very ‘in the moment’ and the best stuff often occurs when things appear to be going wrong, that’s when Vest & Page say, ‘It has begun’ or, ‘Now we begin’. Vest & Page happened to see me jumping in puddles with some childers shortly after I had finished the rain dance and Andrea said he thought I made a good clown, Verena said she were just getting her camera ready when the kids stopped bouncing and I bowed out.

However, my PA at BABE 2017 is well planned and I shall be rehearsing the moves over the next 10 days, this is my preferred way to work. Below is a very apt quote from Walliams & Lucas of Little Britain rehearsing: a lit brit quote

Mine won’t (‘flow slickly’) I’m sure! And neither will my costume changes, will they?

If you can spare the time and the effort to make your way up to the 2nd floor let’s prove that the Dark Studio can attract people* in for the actions of The Shrewd Idiot and his mates, The Three Graces plus the ‘spirit master’, Appleheadman. Nay, some folk may decide to come on April 1st just to see me make a fool of myself! A Wise Fool hopefully. A bit of a Clown, a Serious Jester etcetera etcetera etcetera…

Don’t be a Square, I’ll see You there. Get it or you’ll Regret it!

(*people who have, already, either been showing their wares all day or folks who came to buy their books)

An announcement on World Book Day

An announcement on World Book Day (not for children tho’!)

10-si-buks-2317
A Pile Of 10 deluxe Shrewd Idiots 2nd March 2017

YES THE SHREWD IDIOT’ (deluxe limited edition of 10) IS NOW READY FOR PURCHASE!

As part of the ‘PK College Days Trilogy*

BUT BE QUICK COS THERE’S ONLY 8 LEFT!

b

Pete Kennedy will be doing a fifteen minute Live Art Piece (LAP) of his

‘Apulhed & The Three Graces’^

to introduce the book’s content at Bristol’s Arnolfini gallery in the Dark Studio

at 5pm on April 1st 2017.

And that’s no joke.

As they used to say way back when, “Be there or be square”.

PK will ‘perform’ his books’ content with the help of a series of masks, costume changes, specially edited music, mime (?), dance (??) and poetry (???). Please bring your cameras and flash away then, if possible, send PK some of your images for his blArty blog! “I hate it when you go to a gig and they’ve banned the use of photography. Some of the best work in my books was camera assisted.”

*The ‘P.K. – COLLEGE DAYS TRILOGY’ is comprised of two circa A3 books;

1-si
Front cover of The Shrewd Idiot
  1. ‘The Shrewd Idiot’ [Out Now- the story of Northern Lad recounting how Three Graces and his ‘creation’ Appleheadman helped him to rise out of the morass (short for His Moron’s Ass?), &
  2. ‘Pete Kennedy The First Five Years’ [To be released soon- 37 artworks 69-73 printed on translucent paper to complement The Shrewd Idiot], both in a deluxe edition of ten.

& 3. ‘Appleheadman Sees’ – which is circa A5, unlimited edition. Out Now

apulscreem-2017-bw-repeatd-hd-sm
Back cover of Appleheadman Sees.

The three books can be bought separately or as a trilogy. Buy one or both of the deluxe editions and get a free copy of Apul-One’.

^ ‘Three Graces’ are three women who partnered our Northern Lad at some time during 1969-73. Each of them came to him at crucial times in his life and each brought new and wonderful loving experiences.

 

my caricatures old & Knew

crumps-hairflying
my rework of last week’s cover of Time mag

I have to thank all the folks who visit my blArts and have to tell you that a tweet I did this week has made a mark in Tweetland! It’s ‘viral’ for any of my stuff! here’s some info:

pete kennedy @petekennedy5  Feb 17@Bonn1eGreer here’s a variation on th Time cover Bonnie! @ChiaraAmbrosio the man is a menace blame the USA voting process, we move same way? pic.twitter.com/IvbiUfxi2j {Clik to see the tweet! may need ctrl + clik

In one day (Sat 18.2.2017) 4,572 (number of times viewers saw this twit)

347 ‘interactions’

7.6% (of 4,572) ‘engaged’ with the tweet

Prior to this activity, related to my re-framing an appropriation of this week’s Time mag cover image of a noisy man purportedly elected to head one of the world’s noisiest countries my ‘organic impressions’ on twitter averaged about one a week!

The man who I believe ‘the man is a menace’ was of course a totally ludicrous figment of my imagination (because if I invented him nobody would take me seriously would they) called Bonard Crump. IF fame is what am after I’d do lots more caricature, wouldn’t I?

apulscreem-2017-nix-mao-sm
my Valentine this year with all ma love

Talking caricatures I did one of Nixon meets Mao [which you can see in my new (facsimile) book based on some screenprints I did. I don’t expect this to go viral cos they’re both unable to do any more damage cos they’re dead, not just brian dead!] in 1972 called Appleheadman Sees. I had created Appleheadman (aka Apulhed) in Bournemouth in the previous summer after which I spent 3 months in Tregony near Truro in Cornwall so it was not until 1972 when I returned to college in Exeter that I was able to embark on my first ‘serious’ art project using the personage. I wanted to imagine what the human condition may appear like to an entity from ‘somewhere else’, say, another planet or dimension. And it didn’t appear good. Funny, a little later in 1976 Nicholas Roeg (don’t worry am NOT saying I influenced Roeg, he lived down under and was out of reach of my activities in Exeter!)  did his take on alien visitation starring another alien, the late wonderful David Bowie. https://www.timeout.com/london/film/the-man-who-fell-to-earth

I shall be in Bristol on April 1st at BABE in the Arnolfini (5pm in the Dark Studio)  where those who can get there will be able to see Appleheadman Sees and of course my new Shrewd Idiot book in its deluxe version. I shall be doing my Performance Art Piece (PAP), a 15 minute ‘gig’ wherein I shall try to represent all the issues in the work of my college days…phew, that’ll be easy…won’t it? Well am working on th’music for it now, and the dance, and the masks, and the costumes etc

Rainbows

Rainbows

Real & Imaginary Rainbows in MY life.

a-rainbow-from-oor-chimbley-161016

This one is a few days old when I photo’d it emanating from ma chimbley early one morning.

a-rainbow-1949

This was about the year I got borned, it was released c.Dec 1949, I wer popped oot Oct1950.

I love old comic books. Tiger Tim was great but my personal fave was Toby Twirl. The illustrators were the first great artists I was ever aware of. I was lucky as my parents could not afford to buy me them so I yearned so much to have them that nowadays, when I see them in various shops, I try to buy them. I keep on forlornly hoping that the skills will rub off on me, am still waiting. Of course I’d never do a ‘comic’ comic like they were but I do intend to re-visit my 1976 ‘graphic-novel’ Applehead Lives during 2017 and re-do it using the skills and technologies am still picking up along my merry way.

 

Performance Art Life Changer a year ago now:

 

Today I want to take you back a year to 2015 from 12 to 24th of October when I was on a lifetime best experience in any form of art that I have ever involved with.

Workshops run by Jurgen Fritz (‘JFr’) alongside others by Vest & Page (‘VanP’), which ran simultaneously, changed my approach to my Performance Art (PA). I doubt I shall ever come across such good quality inspiration again in this life. JFr and VanP were great team leaders and their respective teams were packed with people from around the world, many of whom had considerably good PA to bring to the 12 days of intensive workshops and actual PA gigs around Bristol; market, harbour and art gallery. I was privileged to both witness and participate in it and what I learned there fed into my PA part in Firstsite’s PA Day in November 2015.

The sessions gave me confidence to pick up my PA from where it had arrived and lift it to new height. It’s not for me to say how good or bad my output is, that I’ll leave for you & others to decide, but my 3 mentors gave me a will to carry on and carry out my PA with a renewed determination to be original, different and also to pay tribute to others who have gone before inspiring my work.

So today I am going to talk and show about some of the performance art I saw there done by some of my fellow participants. Altho’ I love all three of them I’m not going to talk about JFr and V&P cos you can find their work by just googling em. See- http://www.veniceperformanceart.org/index.php?page=255&lang=en

I’d like to go into some detail on Anna Kosarewska, Jamie Burr & Carol Montealegre, (I’ll get round to doing a blArt on Debbie Guinan and Robert Hardaker a little further in the future. )

All the photos were taken by and © Jurgen Fritz 2015 unless otherwise stated.

 

Anna Kosarewska,

Anna did some real beautiful PA during our time doing the course. Her best piece brought us all to tears as she commemorated several friends who had been killed during the invasion of her home country recently. PA can be a most powerful way of bringing issues into the public domain. Everything she did she did with consummate grace and care often covering her face with cloth or some other material.

anna-graspin

I loved the piece she did in the harbour on the rail track in which she used little toy soldiers. At one time her presence nearly caused some of the local workmen to have heart attacks when she refused to move from the track and a train was approaching albeit at a very slow pace, but it didn’t seem ready to halt, and she was lifted to safety by two of IPA’s organisers Eva & Fay.

anna-close-up

On Saturday evening she did some acts balancing glasses filled with water and walking dreamlike around the stairs.

Jamie Burr,

Jamie did some very moving pieces. His gig with bales of hay and a pitchfork on the harbour was gripping but best of all was his one done in the garden at Dunden where he covered himself in sloshy mud and threw water on himself from glass jars. I know that sounds stupid but it was quite incredible. Reality was suspended and I became one with a strange world Jamie established between the field and a willow den. He had set up about seven jars filled with water. About 200 metres from the den he had buckets with mud paste in them which he applied liberally to his naked body. Then he ran, followed by the whole lot of PA participants and leaders, to the den.

jamie-in-buket

He entered it and sat inside a few minutes, then picked up one jar, walked out of the den and doused himself and walked back in and sat again and did it again and again until the jars were empty and steam was rising from his limbs when he ran into the building to shower and dress himself again.

jamie-steamin

Carol Montealegre,

carol-blak
Thursday 22nd October 14:00-16:00, Castle Park Artists Alba Murcia (Spain) Nicole Murmann (Switzerland) Oozing Gloop Ye Olde (UK) Taz Burns (UK) Bojana Videkanic (Canada) Pete Kennedy (UK) Andrea Greenwood (UK) Jolanda Jansen (Netherlands) Carol Andrea Montealegre Pinzón (Colombia)

Carol at Castle Park

Carol comes from Colombia, she brought some exquisitely lovely PA ideas with her. She had these ideas like using twigs which I have seen being used by some of the big names but Carol had a special touch of her own. I loved her use of black face paint, lace on garments, leather so much so that I began to use it myself- face paint that is and my first use happened to be black (it would have been gold if I’d not first painted a Zorro mask on!) in my Zorro & Beuys+Dead Woodpecker-poem PA at Firstsite last November.

a-pete-electric-eyes

This photo were taken by Priscila Buschinelli (look at the eyes!)

a-carol-cleaning-2Photo by Pete Kennedy

But I didn’t look as good as Carol, no way. I loved the piece she did one evening as it turned dark where she blacked up and that made her teeth and eyes really stand out. She used black balloons too

(like Alastair MacLennan did, see

http://www.veniceperformanceart.org/index.php?page=186&lang=en )

but with much more beauty. Carol had brought along small props which she would drop into each of her pieces with aplomb.carol-an-jamiewriting in Arnolfini lift

 Influencers of my own work.

Alfred Jarry, G I Gurdjieff, e e cummings, Kenneth Patchen, Ken Campbell are some of my biggest influences, if I can call them that. Then there’s dances by Michael Stipe of REM and Tim Booth of James, plus Samuel T Herring of Future Islands, all of which I love.

I love the way Picasso, Topolski and Japanese Zen Masters draw in front of folk.

Masks from other cultures and my own creations in the past. These are a few of my favourite tings which you’ll see pop up in ma new PA gigs. I have been told I can do 10 minutes at the next BABE book fair in Bristol’s Arnolfini gallery in April 2017 so watch this space for development.

I shall be:entering with attitude, dancing like an Idiot wearing a Tea Cosy, drawing on the zen master’s, wearing a new Shrewd Apulhed mask and costume and, if yez aks him nice & kindly he, may do a gentle, meditative dance and do an Apul-zen* drawing himself. I am going to ask some of my friends at Benton Hall to help with the choreography.

I like the possibilities! I have also gotten a new take on my old frend Apulhed. Someone in Ghana has ‘borrowed’ the idea of Apulhed and produced lots of T shirts and tings thus illegally tampering with my copyrights. I created Apulhed way back and reserve the right to call it mine. Similarly I am now creating new ideas to play with in my ‘Apul’zone, so leaf them alone.

APULZeD

&

APULRah to Yah

©pete kennedy 2016

 Finally I saw more rainbows on my horizons:

  1. I received a (for this blArty Space) very rare ‘comment’ – see below.
  2. My previous blArty bit was my 200th.
  3. wordpress kindly informed me I have now had 200 ‘likes’, that, even with my simple math brain, is an average of one per blArt! I have always loved coincidence & synchronistic occurence and the conjunction of the fact that I had posted 200 and had exactly 200 likes is just too much.

342843DavidBowie LADA Workshop

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projected image of Earth at Klanghaus gig Colchester Saturday 23 sept 2016

342843DavidBowie is the name of minor planet (asteroid) from the outer region of the asteroid belt, approximately 2 kilometres in diameter, 342843 DavidBowie 2008YN3 is still flying around up there, and will be for billions of years! 342843DavidBowie is also the name of a ‘Bowie Stargazing and Performance Writing’ workshop which Simon Persighetti & Katie Etheridge ran on behalf of LADA from 22-24 September 2016 beginning with the first day at Colchester Arts Centre and the next two days at Firstsite Gallery. It was eye-opening for me in several ways and I thanked K & S:

10:00hrs (25.9.16)

“Dear Katie and Simon image000

these images (below) are from my tiny mobile facility. Hope you enjoy.

I really enjoyed being with youse over the past tree days, I got so much from the course.

I loved ‘getting’ that my writing is valid as Performance Art (PA) and all the potential possibilities of incorporating it into ma PA, also my ‘script’ (as it stands) for the Sommboys piece which is still very much work in progress BUT NOW I SHALL DEFINITELY INCORPORATE THE WRITTEN WORD into ma PA and spoken with much more ‘authors-oratory’.

I am reaching the climax of producing my ‘new-old’ buk about my 4 years as a student (of life and thought) at Exeter 69-73 and as I walked to ma car Isabel gave me the word ‘interrupted’ and I realised thet that is watti do, I interrupt my (altered spellingly) written scripts. Now I shall be able to really fly.”

K & S took us thru a number of different ways ‘Performance-Writing’ can be used:

  1. Challenge the 2 dimensionality of the book.
  2. Unfolding emerging text witnessed by the audience.
  3. Record & edit ‘sound & vision text’ in any way using technology- sonic, audio, video…
  4. Site installed text
  5. Writing for the digital environment including blogging.

And we had plenty of opportunities to try out several of these methods.

I liked it when we split up into different roles; Oracle, Questioner, Scribe, Messenger, Voice and the rest were Audience. This led to some great pieces of improvised use of words which came over to each participant in a variety of hearings. If you were the Oracle you could occasionally hear the Voice saying words you said earlier because the Messenger had picked up words from the Scribe and spoken them into the Voice’s ear who then spoke them into a mike and they were transmitted. If you were the Scribe you’d be listening to the Oracle and then you’d hear the Voice say some words you’d written earlier but it’d be in danger of knocking your concentration cos you were still scribing. Fascinating listening for the Audience.

You can add a screen onto which the scribe can type the words instead of handwriting them so the audience gets the thing as a visual too.

So I can imagine new (for me) ways of delivering the ‘script’ (as it stands) for the Sommboys PA piece as well as my Shrewd Idiot book which is written in the first place as a journal.

The three days also paid homage to the work of David Bowie and we all submerged ourselves in various ways in his Inspiration.

So much so that last Thursday 23rd Sept we went to an isolated house overlooking Abberton reservoir to stare at the incredibly full star tapestry. It was so dark and clear I could not see the Orion constellation as there were so many stars behind it they made it difficult to pick out even Orion’s belt which is apparently an asterism. http://earthsky.org/tonight/good-sky-trick-orions-belt-points-to-starsirius We talked about a newly discovered asterism which is shaped like the zigzag shape Bowie famously wears on his head on the Aladdin Sane cover of 1973. It almost drove me (I’m a lad) insane trying to focus in on the specific stars of a constellation on a £75 telescope whose tripod legs kept shifting. In the end I gave up trying to be specific and just homed in on an area of stars and said to myself, I need to get onto a bigger better telescope. So my star gazing has finally begun. All this naming and categorizing of star patterns is fine for those who need it, there’s parallels in most everything that UBeings engage in, but for me it is to do with immersion. I try immerse ma sen in ‘life’, take out what I can and represent it as best I can in the various fields I find my self labouring in. Oh, I wrote a poem about that, the way the art establichsmunt has always turned a blind eye to ma werk and all:

‘They’

I am a poet now but I ain’t got the degree

Ah So ‘They’ won’t hear me

I am a writer now but I ain’t got the degree

So ‘They’ won’t read me

I am a artisbloke now

I always have been

(a has been?)

But I ain’t not got the degree

So ‘They’ won’t see me

I do Performance Art now but I ain’t got no degree

So ‘They’ won’t watch me

Now I got a Masters now

But ‘They’ still can’t hear me

‘They’ still can’t read me

‘They’ still can’t see me

‘They’ still can’t watch me

Because nobody has told them I’m good enough

‘They’ can’t read between the lines

And ‘They’ can’t see that for themselves

Listen ‘They’ don’t have ears to hear

Nor do ‘They’ have the senses to watch

But after all is said and done

‘They’ ain’t of any significance

‘They’ don’t make ma art(s…s…s…)

And in the end

It’s no matter what ‘They’ say or don’t

As I leaf it to Posterity now

Because ‘They’ missed out this time around

Didn’t You!

Did Ya?

During the workshop me and Daniella did a cut out writing piece which I thoroughly enjoyed doing contrary to my initial thoughts on doing ‘cut ups ‘like Brion Gysin did’ (Brion invented the cut and paste but only after the surrealists had invented it in the 1920’s) and Bowie used the technique as did Lennon. http://www.thewhitereview.org/art/the-idea-machine-brion-gysin/ Here’s our result:

murch-with-daniella

Murchison me wit Daniella

Dedicated to lovely little Petrie Murchison a woman I used to talk with at my college in Exeter in the Art department as we both worked in print-making. I wonder where she is now?

I enjoyed working with Kate & Daniella on our final project in the last two days. We began by using the much unseen and underused windows at ground-level in Firstsite. We were looking at using three helmets; one from an aboriginal people (like the Hopi), one from deep sea divers of the 19th century and of course one from the 1960’s space astronaut adventures which inspired both Bowie and Kubrick. We, using Katie’s words, made an ‘Elegant Synthesis using the word DIVE’ (as yu know elegance isn’t my norm). They got me to lay in the window and put up the four letters in dive one after the other whilst everyone else stood watching from the bottom of the steps outside. This was lovely cos it actually utilized an part of the architect Rafael Viñoly’s design which was intended to be a beautiful feature but which is so rarely seen or appreciated because for strange and stupid reasons the whole field outside the gallery on the old bus station side is out of bounds when really it should be one of the biggest boons. The gallery cannot be walked round from the outside because the gate is locked to this side with the windows at floor level which therefore cannot be seen into and that’s what they’re designed for because you can’t see out them from the inside unless yer doon on th’knees like what I wer.

https://www.theguardian.com/artanddesign/2011/sep/17/rafael-vinoly-firstsite-colchester-review

katie-diver
Katie in character as a deep sea diver

On day 3 we three worked to change the ‘Elegant Synthesis using the word DIVE’ into a longer piece with masks what I made using minimal materials and time. We presented our piece wearing the masks which was real hard on Daniella cos she wer suffrin badly from hayfever or sum otha allergy ting. The best ting in our performance was when this little girl about 4 year old in a white costume with a pointed hat seemed to feel she could improve it by just being there and she did! Also someone else was just behind us doing their thing which we were unaware of but the audience enjoyed that intervention too too. Katie did a reading onto a sound recorder and she played it back alongside reading it aloud. Daniella, who hails from Peru, did a lovely piece about shamans in America who apparently dance to the shape of different constellations where she had sentences on bits o paper which were stapled onto a red cord which she placed in a cupboard and she pulled out handing one end to one audience member who passed it along to the next and this continued until the story was told and she placed the cord and words back in the cupboard. This brought up the cords we had referenced during the mask-performance; shaman’s cord to the unknown, divers cord to air, astronaut’s cord to the module and of course reference to the umbilical cord of humanity (UBeings).

Next we watched Debbie & Laura do their Fem-Space piece which was their Creation myth with feminine principals and principles. Re-writing the old masculine myths and ending with the patriarchs being projected out of the goddess’s daughter’s nether regions after being composed of her vomit of the geometry that her mother had regurgitated to feed her, it’s a convoluted but rather powerful story which reversed the creation myth order from male to female. [This tale was not dissimilar to the creation myth of the Gnostics who had a woman equal partner the male god who created this Universe in an act to materialize life whereas previously life had had no material being.]

Then we were tired.

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folk clambered onto the bus on which Neutrinos played music before skipping off to the next space in the looming depot.

We went to eat in a Lebanese restaurant and on to a magic bus what took us to the old derelict bus depot in Colchester where the Neutrinos and Klanghaus entertained us and half of Colchester’s cognoscenti. It was an amazing arrival of what I would call ‘real art’ in the town as they walked us thru the shambled old structure singing wonderful words like My Face Is Wet From Pissing Into The Wind. Which I know all about having spent much of my (creative) life doing so myself. (see ma poem ‘They’ above)

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Stone the Crows flew in for the night!

I won’t try telling the tale of Klanghaus just show some tiny snaps what I took with my inadequate mobile camera what actually provides me with some wonderful images.

a-trench-face-under-the-bus
this is an amazing ‘face’ which my camera managed to ascertain from the woman who peeked out from under the bus by the tyre. I think it’s astounding. A kind of collaboration between me as artis, old mobile as veru low quality device, the woman from Neutrinos face and what digitising does.I looks like one of Oskar Schlemmer’s models.