Category Archives: performance art

Good Chats at Bookfairs

After a busy weekend at Society of Bookbinders (SoB) in Kentish Town & Substance (SuB) (PABE Aspex Gallery Portsmouth Harbour) book fairs I was exhausted on getting back home Sunday nicht and much of Monday. As I wasn’t up to doing much (except sawing wood for my multi fuel Stanley cooker), a mindless activity, so I can chill, literally my fingers were like icicles despite gloves & scarf and all. During my wind-down time it occurred to me that the one thing I like more than making books (inc. writing and imaging and designing and getting print off and collating and binding variously) and doing Performance Art (PA) is the crack (as the lucky Irish 6 Nations Champs would say); the chat, the meeting and engaging in conversation about mutual interests with people.

So folk come up to my display of recent books at my table and peruse and maybe ask questions or make comments and I may answer then there’s the repartee + badinage. And I realised ‘that’s the thing which is most important, it’s making contact, touching the minds & consciousness’. Moments to remember. There were plenty of them at both events.

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This image was taken by The Ladies Of The Press at PABE, thank you ladies!

Particularly during & after my PA bits. People may comment and react to my books but it’s amazing looking from the ‘stage’ into the the audience’ faces and to see both their attention and silence at certain points. Neither audience knew what to expect although my handout (beautifully printed at r j printers in Maldon) did go some way to explain what I was about to do, then did. In both venues the audiences were very patient and forgiving and 4 folk said they really enjoyed it at SuB.

I love the image which The Ladies Of The Press took of Young Shrewd Idiot seated. It shows the attention given by the audience and the hanging Japanese kimono which features a bit later on. They also took a short vid of him ‘dancing’ with The Red Dress which I shall try to post soon (the tech is beyond me, I’ll get my mate Dave to elp me). It’s lovely because the dress was falling from the coat hanger (not part of the plan) and I tenderly readjust it back onto the coat hanger. Much more tenderly than am renowned for!

One woman (Renée O’Drobinak of The Ladies of the Press) who is obviously big into theatre came up after and said it had an Ancient quality, ‘like Greek’. I think she meant the overall drama but also the humour & pathos together in one piece.

The reaction was even stronger at SoB where several (fellow book people) said it (my celebration of my dad’s life using the words of Annie Lennox) was very touching. Here’s a short vid taken on Saturday which you can watch on Instagram- https://www.instagram.com/p/BgeD8TMjM2L/?taken-by=palaverdesigns ) . Some even remembered when I did ‘The History of Printing’ in a 20 minute PA two years ago.

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Shrewd Idiot pushes his mammoth book to the tip say “I need to get this monkey offa ma back!”

I haven’t got any images from either PA gig as it stands becos, obviously, I were doing my ting and cannot be taking snaps. I saw some folks taking them so if any kind soul out thur can send me one I’ll add them to my blArt as they come. Thanks to whoever took the image above! Thanks Dave Kirby for sending it. “The Young Shrewd Idiot sits down with the Red Dress on his lap at Substance gig” is my title for it. The Young Shrewd Idiot is (of course silly old me wearing a mask which is taken from an oil painting that I painted from the mirror when I was at college. The painting is in The Shrewd Idiot (A4 at least) book. I wear 3 simple card masks of my 1968-72 faces watti dun. The 4th mask is a pair of very special ‘shades’ which I don when am doing the Iggy Pop number Shades. The fifth and best mask is my 3D Apulhed mask, the best I ever made thus far, thanks to you Verena giving me the recipe. Am hoping one day to make the 3 self portraits 3D too, altho not totally necessary I’d like to achieve that.

Special thanks to Dave Kirby at SuB & those responsible at SoB for inviting me to take part. I enjoyed both experiences, especially as I did not get caught up in the bad snow what fell on the South West (Southwester than Portsmouth!)

Endnote 2019

I shall have a table at the next Society of Bookbinders fair in Kentish Town on Saturday 6th April 2019. I will do a 15 minute set wearing the beautiful Apulhed Mask.

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Apulhed mask on a silk stand.

Abart my SUBSTANCE P A gig

Abart my SUBSTANCE Performance Art gig

 

Greetings from snowy Essex (altho’ it’s gone now here).

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(When I do the gig in Portsmouth on the 18th March I won’t have time to explain it so am hoping folk have read this or gotten a handout.)

To finish off telling you abart my SUBSTANCE Performance Art gig, (I wrote about most of it in my last blArty bit- https://apulhed.wordpress.com/2018/02/27/about-the-shrewd-idiot/ ), I’d just like to add something I omitted to mention last week.

 

My dad’s Centenary Year.

Those of you who follow ma blArt will know that on 26 Jan 2018 at bookartbookshop we added a commemoration of my dad’s centenary birthdate, he would have been 100 this year on that date. It was Tanya who kindly suggested that I do something about him that day. As he was born in Welsh Wales I had to sing a bit of Tom Jones because my dad was in the Burnley Welsh Voice Choir awhile. My dad was not a wimpero like what I is, he were a big strong bloke and a steeplejack, they called him Big Taff at the working men’s club he went to for many years. So I had to sing (well I call it singing, many wouldn’t!) it in a deep Welsh voice, which was ‘ard for a wimp-ero with a normally squeaky voix. I also read some of Annie Lennox’s words pertinent to his final days, again in a deep(ish) Welsh voice (kind of).

 

I won’t be doing the reading as the spot am doing is just 20 minutes but Annie & Apulhed will join me to remember him in a beautiful little song & dance. It is a very spiritual moment as Apulhed takes us through her song The Gift (https://www.youtube.com/watch?v=gjMBPR5H9x4 ). The song is so pertinent to my dad for a number of reasons. In the movement Apulhed mimes the words, so many of which could apply to Taffy. He worked most of his life out in the rain, it always rains in Burnley dunnit? He carried baggage from his younger days of making mistakes and in the song he hands over a ‘gilded cage’ and an ‘overcoat of guilt’, which “never did belong to him”, well some of them did but you need to ‘let go’. There’s a ‘perfect gift’ he gets from me and Camellia, those who come see the gig will maybe work out what it was. He falls from his chair and has to take a serious look at himself and he finally tumbles from his tree. For a moment he lays in the throes of death until he re-awakens to the sound of rain and he cannot resist rising up and going out in the rain again, just like he said he always would! He goes down to the water’s edge to cast away all doubts and let go. I can see him now up there with his friends supping a pint and singing songs in that lovely Welsh timbre. God Bless you dad.

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Snow on Sandstone Sculpture of my dad which I carved after he died in 1992.

It fits beautifully into the rest of my gig which is all about The Shrewd Idiot’s antics, mostly from the book of the same name which’ll be on show in two versions (A4 + A3) at my table where you’ll find me willing to answer any questions about my work unless I am wandering round with ma ApulhedMask on. Yes am afraid it’s a mask, the real Apulhed is off round the Cosmos except when he zooms into my costume to transform me during his dance! [Apulhed can travel thru time in the blink of a eye, no distance is too great, no barrier can prevent him]

There’ll be several ‘costume’ changes which I hope to do seamlessly ‘on stage’. The most obvious one is when I become Apulhed-Man, I don’t have a telephone box to change in like what SuperMan did and I need to do it with a degree of speed. I’ll be using Acker Bilk’s Stranger On the Shore during that shift and there’s a story to why that music. When I were a lad we couldn’t afford a record player. Acker Bilk sat at No.1 and we were in Morpeth during Burnley Fair Summer Hols and me and dad loved the music, so buying it was an act of rebellion. We couldn’t listen to it at home, we could hold the single vinyl and hum it tho’. That music is very dear to me.

By the way, please feel free to take photos. I am totally disenchanted with those places which ban photography and galleries which forbid you to touch the sculpture. Feel free to flash away but don’t ya toucha ma tutu!

About The Shrewd Idiot

About The Shrewd Idiot?

Can a Idiot ever be Shrewd? I believe he can. Of course I’m biased as I was that Idiot if ever there was one.

One publisher’s (Oliver Caldecott) Reader, who read an early chapter of the book in the late 70’s, said that, “Kennedy could not have written this if he had not [become wiser with age]”, or words to that effect. He also likened it to the effect Catcher In The Rye had on the 50’s University generation but as I was the Idiot I was always late and it took until 2017 before a young student woman in Amsterdam likened the book to Salinger. Well, at last. Someone else, back in 1975, a PhD student called Alun Butler whose study was on Rilke, the year I self-published (warran Idjet] Apul-One, the prequel (or follow up as the text postdates that of A1) to The Shrewd Idiot (Apul-Two), likened it to Robert Walser. In some respects these folk were seeing the Shrewd side of the Idiet. In fact his alter ego Apulhed is Shrewd, he’s the Wise One.

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The Shrewd One helping the Idiot publicise his gig

 

The idiotic side of the Shrewd Idiot used to (and still do sometimes) spell wrongly (aka Altered Spelling) or delibritli uses wrong sentince struckture and all sorts of other means of putting the reader off.

Back to my original question, ‘Can a Idiot ever be Shrewd?’ Caldecott’s Reader hit the nail on the head because the idyet left his job knowing it was the right thing to do, to write the book. It only took 40 years to get it out but out it is now! And it never was meant to be such a feature of my bookart & Performance Art and blArts (I call my blog my blArt cos it’s me ‘blatherin on’ like a BlaggArt…ist , that’s it- I’m not a Drag Artist I am a Blag Artis Bloke!

So, looking at Dave K’s blog about the line-up for Substance book event in Portsmouth on March 18 2018 https://artistsbooksportsmouth.blogspot.co.uk/2018/02/substance-portsmouths-artists-book.html You’ll find 4 images of recent sightings of The Shrewd Idiot from his Performance Art gigs. Below is a short intro explaining each image and how they fit into his stuff:

Each part of the The Shrewd Idiot Performance Art gig relates a section from the book of the same name.

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Image 1. Shows the idiot aged about 20 dancing & reminiscing his old love, Rose of Exeter who is one of what have become known as the Idiot’s ‘3 Graces’, three women he knew and lost in the book. He is holding a red dress with which he dances. That is not only a going back in time thing it’s also a reference to Trajal Harrell’s dancing which the old Idiot saw last year performing his Hoochie Coochie set at the Barbican in London. In the first song the old Idiot dances to Mick Jagger makes veiled reference to Hoochie Coochie dancing when he mentions “…your mama was a tent show queen…” in Brown Sugar.

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You can see the Idjet in his new shades at SUBSTANCE

Image 2. Aged about 67 the old Idiot dances like a king for Camellia to Iggy Pop’s song ‘Shades’.

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Apulhed makes a rare incredible appearance

Image 3. Apulhed, the idiot’s alter ego appears for real and does his cosmic dance once he overcomes his fear of the humans in the audience.

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The Idiet travels back to 1969 and imagines himself young again dancing with Bluebell.

Image 4. Shows the Idiot at about 18 years old dancing for Bluebell, the first Grace (aka Gertrude) from his late teenage times. If you get to Substance you’ll have the opportunity to see all these parts of the Idiot’s persona in a 20 minute piece.

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Altho this is not the final Shrewd Idiot cover it nearly made it, just like the book’s hero!

AND you’ll have the chance to view the A4 & A3 Shrewd Idiot Books at Pete’s table alongside his other books.

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Pete’s first artisbuk from 1975

IF you go to the Society of Bookbinder’s book event in London on the 17th March you may get a chance to see the Idiot strutting his stuff with Iggy, warming up for Substance.

See ja thur!

 

 

 

 

 

‘So Here & Now’

 

I been so busy so far this year so this is my first blArt of 2018, so there or should I say ‘So Here & Now’ (It’s the only place to Be).

In the Düsseldorf 2017 review (below) I mention that I had a Book Launch scheduled for 26Jan2018 at Bookartbookshop in London which was last Friday and thanks to the wonderful select group of folk Tanya called in it went really well. Thank you all for coming and for the love & attention. All the photos of the gig are taken by Tanya Peixoto and I am forever grateful, to her. I have made some slight alterations to some, which I hope she doesn’t mind.

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Patrick J. Kennedy 1918-92

I had been honing the Performance Art lifted from the story in my book The Shrewd Idiot ever since my gig at CAC. At Tanya’s suggestion we also celebrated the centenary birthdate of my dad Patrick J. Kennedy (Taffy).

 

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Young Idiot dancing with The Red Dress

Above photo by Maxine Wynne

 

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Old Idiot blinded by the light despite the shades

Photo by Tanya Peixoto

So to the ‘Red Dress Dance’ & ‘Shades Song’ (After Iggy) commemorating some (3) beautiful girls I knew in the days I was at college

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Apulhed sneaks up on unsuspecting guest from whom the light which blinds the Idiot shines

and an Apulhed Appearance (Photo by Tanya Peixoto)

I added a reading of all the mentions I made of my dad ‘Taffy’ in The Shrewd Idiot. To top it off I read some words appropriated from Annie Lennox cd Diva which had a special place in my memory of the final day of my dad’s life. He lived from 1918-1992. He had a ‘colourful’ life interrupted by WW2 when he joined the Air Sea Rescue section of the RAF. He was a Steeplejack* and a very successful amateur football coach & he instructed many in the Burnley area in what was called back then ‘physical culture’ (doing weights) and he introduced me to Mr Universe Earl Maynard at a show in Manchester around 1965 where he told me to show Earl my six pack which as a 14 year old was highly developed. Earl said, “Keep it up!” and, being a teenager, I immediately dropped the weight training. Look at me now!

I COULD HAVE BEEN SOMEONE…Instead of a bum (Thanks Marlon).

So, instead of Mr Universe I became Master Puny of Verse! Goodnite.

[*DON’T mention Dinber my dad thought Dinber was a clown because of the careless dangerous lacks of precaution he allowed, according to Taff]

I never did a summary of my 2017 so here are the highlites of my 2017 year:

April1st2017 BABE at Arnolfini:

https://apulhed.wordpress.com/2017/04/09/an-idjet-suckseeds/

Sept2017 in Dusseldorf with Vest & Page:

https://apulhed.wordpress.com/2017/09/25/sound-seeps-thru-ma-very-soul/

Nov52017 My First gig at Colchester Arts Centre:

https://apulhed.wordpress.com/2017/11/06/shrewd-idiots-book-launch-at-cac/

I mentioned Jo Bannon in a blArt last year but could not post any images then but she contacted me after her National Tour and said yes I can use some.

She had various leads which led from her table to electricity sources as she boiled a kettle and poured hot water into a stainless steel bowl with some cooler water in then washed her silken white locks then [for me the best moments of the gig] she used a powerful hair dryer to blow her hair away (almost).

Jo Bannon http://www.jobannon.co.uk/Home.html

 

 

Shrewd Idiot’s Book Launch at CAC

Book Launch + Birthday Celebration

It was not just a Book Launch, it was my 67th Birthday Celebration at Colchester Arts Centre (CAC) on Sunday altho’ my birthday is 27 Oct we had decided that Nov5 is an easier date to remember remember. As it turned out we forgot to celebrate ma birtdae, altho’ my wife did send a cake to CAC which my guests enjoyed. I was too busy clearing up the stage area so the next act could set up..

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Ant competing with aplomb with the Shrewd Idiot for dad dancer of the year.

Anthony Roberts gave me the invite to Launch on seeing a copy of my The Shrewd Idiot book and he also gave me a beautifully phrased introduction yesterday which made me feel real good!

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Richard Spencer who did a beautiful rendition of Neil Young’s After the Goldrush.

Richard Spencer did two songs beautifully to help me tell the shrewd idiot’s tale (of woe & glad tiding)

The Performance Art gig I did just grew and grew in the weeks (nay months) of prep as I got more excited on its approach. The idea which underpins my PA gigs is to bring my static 2D, 3D and BookArt forms to life, to have them walking and talking and most of all DANCING to celebrate life, theirs and mine!

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stage set with 3 of my 1968-70 self portrasits which each became a mask in the gig. I have not used those easels in a while now.

CAC gave me the best facilities I have ever had access to and I am very very grateful for that. Neil Thorp (the man detailed out by Mark Senior Techie who left the country on seeing my scrip) to do the Techie work was very helpful and patient with this first timer. He accommodated my script and its being crammed with different ‘tracks’ of music (which I had edited down in Audacity to give my story a running musical accompaniment appropriate to the story line and of course with a dance beat I could move to in what one of those present has kindly called ‘dad dancing’) and different ‘slide changes’ on a powerpoint I never had intended to use but it was apparently the best way to coordinate the sound, vision and lighting schedules. Ben Howard it was who organised the provision for my gig and gave me encouraging words in the weeks before. Anyway the outcome was tremendous as I looked at the stage before the crowd was allowed in.

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Although I had a poster printed on yellow paper (A3,4 & 5!) and got it distributed around Colchester, even at the Town Hall, there was something lacking in my promotion of the gig as all those who turned up already owned copies of my Beautiful Shrewd Idiot book. I did mention it (hundreds of times) in my blArt, posted a tweet about it and the lovely Daphne Sandham at Colchester Art Society put up a mention of it in her weekly newsletter to members and she retweeted my tweet. They came to see if the man in the book was for real. Well, in the book he was 18-23 years old between 1969-73, in the process of becoming an artist & teacher whilst being tamed by 3 lovely women in those years. Yes he does exist but a bit older now and not necessarily as good a dancer altho’ he did attempt to disprove that fallacious, rather libellous, definitely deleterious theory to cries of ‘dad dancing’ called in mock humour.

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The Idiot dancer from 1970, don’t be fooled by the mask he’s still in there!

He also exhibited some salacious stories about his former self(s). Some of his creations ‘came to life too’ well one did, Apulhed, whose appearance was indeed the highlight, an opinion unanimously acclaimed by the audience.

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Apulhed in all his glory  speaking to humanity asking them to mend their ways.

Here’s some images of the author dad-dancing and not caring about the consequences (in fact some of his moves were perfec Zumba).

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The 3 dad dancers taken by Christine Dixon

Here’s the Emperor Rosegon Dance Competition in full swing. The judge was a bit biased! I admit now I should have come 3rd not 1st, but whose birthday and whose gig were it any road up!

One of the best things which arose from the gig was a beautiful informed review written by Gary Malkin of the Artist’s Book Archive at Baltic, Gatesheed. I’ll ask his permission to post it next time as he gave great insight into my books, particularly The Shrewd Idiot, Christine Dixon created two beautiful handouts for the gig which I wish I had used in the advance publicity. She also came up on stage to grace the floor with her dancing skills as I reminisced about my chat up lines from the 1970s! Thank you Christine. Thanks also to Dave Doughty who acted as the Taxi Driver and the film maker. I hope to post the results of his efforts in the not too distant so you can enjoy ma gig at CAC.

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Christine putting up with my 1970s chat up.

Namaste

 

 

 

Two gigs this weekend

I am doing a very quick blArt this week as I am hard on rehearsing and preparing for my book launching gig at Colchester Arts Centre this coming Sunday 5th November at 2pm.

Am also doing a reading of Bukowski’s Poem For Dante at Firstsite in Colchester on Friday 3rd at 7.30 when the Educaid trust will be having another of their wonderful group readings in aid of Sierra Leone. No time even for yoga classes this week.

I am trying to pull together all my recent inspirations to attract interest in my series of books concerning The Shrewd Idiot.

If you have a spare hour Sunday afternoon the main activity is from 2-3 pm.

You may like to buy one of my books at a really good price too.

Here’s a couple of images I took at today’s practice. [Don’t forget to bring your camera! You can flash away til yer heart’s content cos I got no ban on cameras. That’s not to do with vanity, it’s freedom of speech, a pic tells a 1000 words.] Oh and can some of you let me know if you are coming, then I’ll get my beautiful wife to make more birthday cakes. At present there’s no way of knowing numbers cos we said no entry fee. That means no bookings so we cannot estimate numbers. But like Sophia saw at Red Lion, I’d perform (my art) even if nobody came, but I do know some folk will be there.

 

 

I don’t want to give too much away but I shall be in dialogue with my former selves and my character Apulhed will make a surprise appearance. That’s as long as he can make it from whatever part of the cosmos he’s visiting now. He’s never let me down before. Looks like he’s in Japan!

Or he may be further afield. I wake about 4am and look out my window and there above the trees I have a great view of Orion’s Belt with Sirius lurking below it.

The Shrewd Idiot books launch

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The time for my launch of my new (set of) book(s) on the theme of The Shrewd Idiot looms ever closer. Anyone who can get to the Colchester Arts Centre [It’s in the street behind The Mercury Theatre, you can park across the road at St Mary’s Car Park.] would be welcome at 2pm Sunday November 5th. entry is free I’ll be talking about my books and doing some zany Performance Art (PA) pieces which emanate from the pages of the books.

The Shrewd Idiot book isn’t entirely chronological, there’s flashbacks in it and altho I wrote it in the 70’s, I completed it in 2016 adding a final layer of comments from this man in his mid-sixties to the younger self. In this PA I have a dialogue with my younger selves too. Some of the exchanges may cause ripples of smiles because the young Idiot involves in activities the old Idiot would never admit to, would he?

Back in the early 70’s Neil Young was flagging up the issue of ‘Mother Nature on the run’ and his song After The Gold Rush depicts his dream about contact with other life forms which fits well with my work from around that time https://www.youtube.com/watch?v=jKM5dIANXE8 so I’m featuring a rendition of his song performed by my friend Richard Spencer.

I shall talk, mime (badly), dance (not quite so badly) through the hand-made books’ content and have a Q&A session at th’end.

I also bring in devices & influences from performances I have seen recently in London, like Trajal Harrell https://www.theguardian.com/stage/2017/jul/23/trajal-harrell-hoochie-koochie-barbican-observer-review  and Kazuo Ohno (who was born in Hakodate City, Hokkaido, on my birthdate October 27 but in 1906 http://www.kazuoohnodancestudio.com/english/kazuo/ ), Geumhyung Jeong, Rocio Molina and Michael Clark.

As is the ‘won’t’ of many a big gallery they wouldn’t allow photos so I drew them! [altho’ you’ll see I couldn’t remember Geumhyung Jeong’s name as I sat drawing illicitly on the floor of Tate Mod.

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Geumhyung Jeong’s gig in my shorthand

That’s the trouble wit big galleries, they’re buying into PA but they have no idea what the drift of PA is! PA is an open field in which anything goes. Please bring yer camras and click away madly at my gigs.

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Apulhed during my 1st ever PA in Exeter in 1973

There’s only one extant photo of Apulhed and that was taken in 1973! But there are more now, some taken in 2017 at my Arnolfini gig of course. Thanks Tanya, thanks Hannah! See https://apulhed.wordpress.com/2017/04/09/an-idjet-suckseeds/

I also have Richard Spencer to sing a little at the beginning Bless his cotton socks.

Other artists who help my script are Lady Gaga, Van the Man, Iggy Pop and Bruno Mars.

The Shrewd Idiot book will be on sale in different forms; ‘The A3 deluxe version’, ‘The A4 Perfect Bound version’, The Appleheadman Sees book (A5) and the ‘A3 deluxe PK 1968-73’ which is 27 picture I did tween 1968-73.

I created Apulhed (aka Appleheadman) in 1971 and he has had many many different looks in different media like comics, children’s drama (I did a big show with 14 Children playing my characters when I was the first artist of the new millennium to have an exhibition in Colchester Library), books like my Apul-One 1975.

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The face in the Applehead is Camellia!

Here’s a cover with newly done colours of the 1979 Happy Apulhed ‘comic’.

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the original Happy Apulhed is B&W only

In this gig Apulhed will make a special appearance in a beautiful guise created especially for this gig and that I have never before used, I think it will cause quite a stir. Doors open 13.30 hrs, PA starts at 2pm (14.00 hrs) ends at c. 3pm. Then there’s 30 minutes in which I shall be around to sign any copies of the books you buys and answer any questions about my works.

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As rare as hen’s teeth comments be!

 

Sound Seeps Thru Ma Very Soul

What a busy week I had!

14-21 Sept 2017

(für Google-Übersetzung ins Deutsche siehe unten englisches SkriptJ)

First I embarked to Germany to learn more about Performance Art (PA) skill then I went to see some key practitioners in the world of books in London, my feet hardly touched the ground even tho’ my mind and body were deeply rooted to the earth during the PA workshops- 8 hours a day for 4 days.

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Carol & Vasiliki with Gerhard.

Somnambulant Rogue Allows Ambient Sound To Seep Thru His Very Soul.

 I felt a bit of a Rogue abandoning all my responsibilities at home to embark on a 4 day workshop in a foreign country (Germany) with the wonderful duo VestAndPage

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VestAndPage with Verena holding the famous ‘Merkel rhombus’

(VAndP ) but I decided to Allow myself to venture to Dusseldorf because I love what they bring to Performance Art so much, they create a beautiful Ambient backcloth in which the participants feel comfortable and adventurous, all getting drawn in, so much so they fully engage in the Somnambulant atmosphere with vigour and apparent ease.

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Eva allowing the sheet to speak.

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Andreas taking control of the sheet, or so he thinks.

In one exercise we were asked to write about our experience so far, then to choose a small number of words which we would consequently make ‘actions’ for. So, the challenge was to enact ‘Somnambulant’, not such an easy task but I mind-set myself to walk like a zombie in a film. VestAndPage don’t make ongoing judgements on your choice of actions, they let you ‘do what you do’ but you do it with some enthusiasm as you know the whole group will be watching when you are to take the floor solo and enact your moves. Rogue, Allow & Ambient presented me with slightly harder visualizations, but I found some moves which I shall be exhibiting during my ‘gig’ on 5th November at Colchester Arts Centre along with pieces I had planned before I went to Dusseldorf.

 

In Wuppertal I made a pilgrimage to see the place where Pina Bausch used to lead her dancers. I had sweet & sour feeling as I looked at the apparently abandoned building as “the company is on tour in USA. Kind regards. Ursula”. But I was able to visit book binder Roger Green who kindly showed me many of his book projects and if I ever have the wherewithal I shall go back to attend one of his workshops, altho’ I won’t go by train again as the journey takes up to 12 hours each way, even with the 3 hour wait at Stansted a flight would be less time consuming. Trying to ascertain the train connection times for my homeward journey proved nigh impossible at the information desks in Dusseldorf and before that even with the Eurostar phoneline ‘help’ people. In the end it was Patrick at Hostelworld who said in his matter of fact way, “What’s the problem? Just get on a train (to Koln) then onto the next one to Bruxelles”, which is exactly what I did and I had 4 lovely sunny hours in Bruxelles where highlights were the Tintin shop and Montana, a graffiti shop where I saw – Mater Museum: by Vincent Glowinski  (Author), Agnès Debizet  (Author) and Joe Sorren by Gingko Press. I sat in the sunny square eating a scone bought in Koln, drinking a coffee I bought with my last 2€ coin and listened to a woman playing beautiful oboe.

 

I would stay again at the Hostelworld as their place was comfortable and breakfast was good. I must remember however to ensure that I stamp my ticket BEFORE boarding the train, I forgot on the journey back from Wuppertal to  Dusseldorf (altho’ I was tired and a bit cold) and as sod’s law would have it that was the only time the guards boarded my train in 12 local journeys! There’s a 60€ fine if they decide to apply it but they can make allowances for dim foreigners (Brit-victims of the Brexit fiasco) who cannot read the instructions on every ticket!

 

In London

I learned so much from my meeting with book artist Sam Winston, we are partners in crime with words! We both undermine the canon. We each play wit werds in our individual ways. It’s so re-invigourating to see a kindred-spirit’s ‘play’ with the written hand-scribed word (often in pencil). He suggested maybe I do more with existing (manu-scrips) and less with future texts; whereas I had (gladly) signed off from all the versions I wrote in the 70’s of The Shrewd Idiot (SI buk) he hinted maybe not, maybe do more buks from those scrips. And as for my future tomes, lessen the content, be selective so they’re more discreet, which would be a lovli idea, especially for the viewer.

 

Sam does in fact do a lot of ‘Performance Art’ and he is well aware of that but does not utilise is in the remit of his output, it is merely a means to an end. For me Performance Art (PA) has become an integral part of my remit along with and inside of my books. Doing PA in fact makes it harder as I have to learn how to do it better but that’s not really a problem cos PA opens up the side of me which loves to flaunt around, the dancer in me, the exhibitionist, the dare in me, the chance-taker, adventurer but it also helps put my books’ contents out there by inviting folk to look at the books and also see some of my physical interpretations on what I think is important in them.

 

It’s great to have my A4 version of The Shrewd Idiot on sale at the wonder-full bookartbookshop @Bookartbookshop à Londres! Am set to do a gig thur on Jan 26th 2018. Tanya  has suggested it be a celebration on the centenary of my father’s birth, which is a wonderful idea and I shall prepare a PA to remember him with, incorporating mentions I made about him in The SI buk.

For google Translation into German below:

Übersetzung ins Deutsche:

Was für eine anstrengende Woche hatte ich!

14-21 Sept. 2017

 

Zuerst habe ich nach Deutschland begonnen, um mehr über Performance Art (PA) Geschick zu erfahren, dann ging ich zu einigen Schlüsselpraktikern in der Welt der Bücher in London zu sehen, meine Füße berührten kaum den Boden, auch wenn mein Geist und Körper tief auf die Erde verwurzelt waren während der PA-Workshops – 8 Stunden am Tag für 4 Tage.

Somnambulant Rogue Erlaubt Ambient Sound, um seine Seele zu sehen.

Ich fühlte mich ein bisschen ein Rogue, der alle meine Aufgaben zu Hause aufgab, um einen 4-tägigen Workshop in einem fremden Land (Deutschland) mit dem wundervollen Duo VestAndPage zu beginnen, aber ich habe mich Erlaubt, nach Düsseldorf zu gehen, weil ich liebe was sie zur Performance Art bringen, so schaffen sie einen wunderschönen Ambient-Backcloth, in dem sich die Teilnehmer wohlfühlen und abenteuerlich fühlen, alle werden eingezogen, so dass sie sich in der somnambulanten Atmosphäre mit kräftiger und scheinbarer Leichtigkeit engagieren.

In einer Übung wurden wir gebeten, über unsere bisherigen Erfahrungen zu schreiben, dann wählen wir eine kleine Anzahl von Wörtern, die wir folglich “Aktionen” machen würden. Also, die Herausforderung war, “Somnambulant” zu verabschieden, nicht so eine leichte Aufgabe, aber ich habe mich in die Lage versetzt, wie ein Zombie in einem Film zu gehen. VestAndPage machen keine laufenden Urteile über Ihre Wahl der Handlungen, sie lassen Sie ‘tun, was Sie tun’, aber Sie tun es mit einiger Begeisterung, wie Sie wissen, die ganze Gruppe wird beobachten, wenn Sie das Wort Solo nehmen und Ihre Bewegungen zu tun . Rogue, Allow (Erlaubt ?) & Ambient präsentierte mir etwas härtere Visualisierungen, aber ich fand einige Züge, die ich während meines “Gigs” am 5. November im COLCHESTER ARTS CENTER ausstellen würde, zusammen mit Stücken, die ich geplant hatte, bevor ich nach Düsseldorf gehe.

 

In Wuppertal machte ich eine Pilgerfahrt, um dort zu sehen, wo Pina Bausch ihre Tänzer führte. Ich hatte süßes und saures Gefühl, als ich das scheinbar aufgegebene Gebäude ansah, als “das Unternehmen auf Tournee in den USA ist. Mit freundlichen Grüßen. Ursula “. Aber ich konnte die Buchbinder Roger Green besuchen, die mir freundlich viele seiner Buchprojekte gezeigt hat und wenn ich jemals das Wohlergehen habe, werde ich zurückkehren, um an einem seiner Workshops teilzunehmen, auch wenn ich nicht mehr mit dem Zug fahren werde dauert bis zu 12 Stunden pro Strecke, auch mit der 3-stündigen Wartezeit bei Stansted wäre ein Flug weniger zeitaufwendig. Der Versuch, die Zugverbindungszeiten für meine Heimreise zu ermitteln, erwies sich an den Informationstafeln in Düsseldorf und davor sogar bei der Eurostar-Phoneline “Hilfe”. Am Ende war es Patrick bei Hostelworld, der in seiner Sache eigentlich sagte: “Was ist das Problem? Fahren Sie einfach in den Zug (nach Koln) und dann auf den nächsten zu Bruxelles “, was genau das war, was ich tat und ich hatte 4 schöne sonnige Stunden in Bruxelles, wo Highlights waren die Tintin Shop und Montana, ein Graffiti-Shop, wo ich sah – Mater Museum: von Vincent Glowinski (Autor), Agnès Debizet (Autor) und Joe Sorren von Gingko Press. Ich saß auf dem sonnigen Platz und aß einen in Koln gekauften Scone, trink einen Kaffee, den ich mit meiner letzten 2€ Münze gekauft hatte und hörte eine Frau, die schöne Oboe spielte.

 

Ich würde wieder in der Hostelworld als ihr Platz war komfortabel und das Frühstück war gut. Ich muss mich aber daran erinnern, dass ich mein Ticket vor dem Einsteigen in den Zug stempeln kann, ich habe auf der Rückfahrt von Wuppertal nach Düsseldorf vergessen (altho ‘war ich müde und ein bisschen kalt) und wie das Gesetz des Gesetzes das hätte Wächter bestiegen meinen Zug in 12 Lokalreisen! Es gibt eine 60 € Geldbuße, wenn sie sich dafür entscheiden, sie anzuwenden, aber sie können für Ausländer (Brit-Opfer des Brexit-Fiaskos), die die Anweisungen auf jedem Ticket nicht lesen können,

 

In London

Ich habe so viel von meinem Treffen mit Buchkünstler Sam Winston gelernt, wir sind Partner in Verbrechen mit Worten! Wir beide untergraben den Kanon. Wir alle spielen wit werds in unseren individuellen Weisen. Es ist so re-invigourating zu sehen, ein Verwandter-Geist ‘Spiel’ mit dem geschriebenen Hand-geschriebenen Wort (oft in Bleistift). Er schlug vor, vielleicht mache ich mehr mit vorhandenen (manu-scrips) und weniger mit zukünftigen Texten; in der Erwägung, dass ich von allen Versionen, die ich in den 70er Jahren von The Shrewd Idiot (SI buk) schrieb, abgesehen hatte, hat er vielleicht nicht angemerkt, vielleicht noch mehr buks aus diesen Scripts. Und wie für meine zukünftigen tomes, vermindern die Inhalte, selektiv, so dass sie mehr diskret, was wäre eine lovli Idee, vor allem für den Betrachter.

 

Sam macht in der Tat eine Menge ‘Performance Art’ und er ist sich dessen bewusst, aber nicht nutzen ist in der Aufgabe seiner Ausgabe, es ist nur ein Mittel zum Zweck. Für mich ist Performance Art (PA) zu einem integralen Bestandteil meiner Aufgabe zusammen mit und innerhalb meiner Bücher geworden. Das macht PA in der Tat macht es härter, wie ich lernen muss, wie es besser geht, aber das ist nicht wirklich ein Problem cos PA öffnet sich die Seite von mir, die liebt zu flaunt herum, die Tänzerin in mir, der Exhibitionist, die Wagen in mir, der Chance-Taker, der Abenteurer, aber es hilft auch, den Inhalt meiner Bücher da draußen einzuladen, indem er die Leute einlädt, die Bücher zu betrachten und auch einige meiner physikalischen Interpretationen zu sehen, was ich in ihnen wichtig finde.

 

Es ist toll, meine A4-Version von The Shrewd Idiot auf den Verkauf an der Wunder-full bookartbookshop @Bookartbookshop à Londres! Am 26. Januar 2018 soll ich einen Gig thur machen. Tanya hat vorgeschlagen, dass es eine Feier zum Hundertjahrfeier der Geburt meines Vaters ist, was eine wunderbare Idee ist, und ich werde eine PA vorbereiten, um mich daran zu erinnern, indem ich die Erwähnungen einbeziehe, die ich über ihn gemacht habe Die SI buk.

 

 

Talking To The Moon in Colchester.

a fulmoon 6sept17 4sm

There was a full moon tonight and I awoke at 2am to take some photos of our nearest neighbour, some may tink am a bit nutty?

You’re not going to believe this but I am already preparing for my Book Launch at Colchester Arts Centre (CAC) scheduled for November 5th 2017. Apart from my books and artworks being there I shall do some Performance Art (PA). I know the things I’d like to do and with the ambience and assistance at CAC I am certain that it’ll be the best venue so far where I’ve done my PA stuff. I shall use this Bruno Mars Talking To The Moon piece https://www.youtube.com/watch?v=J9pXeziqdLc in my The Three Graces (see below).

However. Whatever I plan at the moment may change dramatically as I am about to go to Germany to spend time with my PA heroes Vest & Page (aka Verena & Andrea). This is a link to a trailer of their 2016 film, ‘Plantain’ https://www.youtube.com/watch?v=vS80Ki-T9bI   Their workshop is phenomenal like their work and I shall leave it a different Performance Artist to the one I am now. Hopefully a better one, of that I have little doubt. The last time I did PA in the company of V&P I poured wine over my head, I had pancake dough plopped on it too, leaves and grass all over my body and the gathered onlookers were laughing at my antics which, I must warn you, only encourages me to do more!

pete & jamiephoto ©jurgen fritz 2015

For those of you who need to know more about what PA is I can say that it is whatever the PA artist decides it is (Jurgen Fritz said in 2015, “Pete does what Pete does and that is what it is.”). PA can be very short, just a few minutes or very long, several days non-stop which is called ‘durational’ [or endurance, for the person doing PA and the potential audience]. You won’t have to ‘endure’ mine as am only planning on 3 pieces each about 15 minutes long.

a old ahed mask mould
Working towards the definitive Apulhed Mask

I have also prepared the definitive Mask of Apulhed(man) and have been doing ‘research at Tate Modern where I saw the South Korean Geumhyung Jeong make her masks come to life. https://www.vice.com/en_us/article/zm37m8/geumhyung-jeong-at-tate-modern-tanks-seven-different-ways Also went to see avant garde Flamenco dancer Rocio Molina at Barbican cos I want to put about 60 seconds of ‘flamenco’ into ma gig. This week I went to see Michael Clark Company do his tribute to David Bowie at Barbican. As there’s quite a bit of (purported) dance in ma gig am hoping their moves influence my body in a positive way. It was a good night of dance, a bit short at 90 minutes including a 20 mins interval but it was good to see how good Clark dances.

a geumhyung jeong fini veri sm
Geumhyung Jeong reflecting after her battle with her rather naughty masks.

The link below will show you some very differing PA pieces with a go at describing the form that is PA in the first para. :

http://www.complex.com/style/2013/04/the-25-best-performance-art-pieces-of-all-time/pandrogeny Two of my favourites are Oskar Schlemmer and Laurie Anderson.

There are ‘purists’ who tend to prefer not to use music, dance, or spoken word and like to do intense, mysterious-meaningful actions which may be about political or ethical issues. I am not a purist. I like to use music, dance, spoken word and changes of garb. I like to tell stories through movement & masks in my PA, stories about myself and the state of the world as I find it now and how it was when I moved through the years I have lived. Not a lot has changed over the years, the rich get richer and the rest of us just have to muddle on doing the best we can. I need faith hope & love to carry on pushing creative outcomes which make people think and maybe even entertain for as long as I am able, I am just so fortunate to be able. Ability takes years to accumulate and it can disappear in the blink of an eye so I make as much use of my time as I can.

a smsi cova wordsThis is a cover I designed but did not use for the book.

So, at the moment the stories I shall focus on will be taken from the book I have just published called The Shrewd Idiot. I knew the idiot well and I feel for his inability to get things right in his life. At the time portrayed in the book (1969-73) he didn’t know his ass from his twits. He was in fact a very lucky man with many friends and some were very close to him yet he often went out searching for more. One thing I know now, after all these, was that he rarely felt or showed any sense of being ‘worthy’. He didn’t comport himself with the pride and feeling of value that many of his achievements warranted.  Once he had achieved some good accomplishment he never rested on his laurels, he moved immediately on, to the next challenge.

When it came to his relationships with women, like many men, the one he was with was rarely the one he wanted to stay with and he was always looking for a better model. The idiot never understood that ‘a bird on the handle is worth two in the brush’ or summat like that. So, in almost all he did, and he did a lot, he was never satisfied. And one reason he couldn’t get his head together and think straight was cos he spent a lot of his evenings under the influence of alcoholic beverage. “Pissed all th’time”, some were heard to say when asked about his state of mind. In the Colchester Arts Centre PA at 2pm on 5Nov 2017 My 67 year old self will have some dialogue with my ‘Self’ from the early 1970’s, that’s if he remembers to turn up, sobre.

pete self P veriveri best veri sm
Self Portrait painted by the idiot aged 18 in 1969. I use the face as a mask in the CAC PA.

His drinking sprees will not be the subject of the PA, but his relations with women are in a piece called The Three Graces (about the 3 women he actually liked to be with…most of the time). Between 1969 and 1973 the idiot had relations of quite intense quality with 3 young women (these didn’t overlap…much) but lost all 3 because of his inability to show commitment. Actually he could commit. He committed to being Social Secretary at college, to playing football for the 3rd eleven at college and to ‘making art’ but that didn’t help his relationships in fact it very much undermined them. So The Three Graces is about the idiot’s feelings of loss after they had all wandered away from him.

Sounds really sad dunnit? But no, it was not only sad, it was uplifting, the idiot had to look at what he did and change for the better, which he did but it took decades and the help of a good woman to bring him through to a better place. Her identity is not evident in The Three Graces PA, but she was there for him as he managed to settle down, have a family and eventually stop savouring the evil brew.

The idiot eventually did be shrewd and now he has published some memoirs. And the whole idea of the book launch is to encourage folks to purchase them in the form of a beautifully composed book. There’s two or three to choose from at varying prices, but you’ll get to see them on November 5th.

1st-sighting-sans-cover-sm
Inside pages of The Shrewd Idiot (A3 deluxe version) showing the use of palimpsest

Finally watch some incredible movement here:

https://www.youtube.com/watch?v=9ms7MGs2Nh8 a Swiss man doing butoh PA in Japan