Category Archives: Apulhedman

What’s in a name?

What’s in a name, Everything & Nothing?

Naming things also means everything & nothing like the famous conundrum about a doctor:

A father and his son are in a car accident. The father dies instantly, and the son is taken to the nearest hospital. The doctor comes in and exclaims “I can’t operate on this boy.”

“Why not?” the nurse asks.

“Because he’s my son,” the doctor responds.

How is this possible?

The answer is in the ingrained assumption that the word ‘doctor’ denoted a male practitioner which in the ‘old days’ it usually did. The assumption was ingrained over centuries of the ‘male-dominated’ world which allegedly no longer dominates the ‘norm’ but in the collective mind it seems the natural assumption falls to the male interpretation. Now this is not an article about doctors nor prejudices, I am merely pointing out that altho a name is important it often misleads our perception, even when there is no intent so to do.

I mention this because I have been involved in making art & books all my adult life which is (on paper) 50 years, in fact 56 when you take into account I made my first book as a ten year old (of course I weren’t a adult then tho) as an end of summer term project at Tod Road Junior School and my first comic, Big ‘Ead was in that book which had old wallpaper as a cover. In my first year at Gwamma Skewel (as an ex pupil of the old grammar school system I firmly believe that they are a relic of a past (male dominated) culture, so no don’t bring them back, but you’ll ignore me anyway, won’t you Tess?) I made more sophisticated books with bookcloth spines and all. In my 6th form I made my own sketch books, had to cos I couldn’t afford to buy one. At (teachers’ training) college I made several books for projects and did my first concertina book with 6 screenprints in which I have just ‘published’ in an A5-ish book.

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‘Apulhed Sees’ is on sale at Bookartbookshop.

Then I taught how to make books to the kids in my classes but didn’t make my own again til I embarked on my MA course in my sixties after retiring hurt from my role as a ‘teacher’. You may ask, “What’s he on about?” well my answer is I’ve always been making the contents of books and sometimes the books themselves book I am not a bookbinder per se. Many of my ‘books’ tease and stretch the definition of ‘book’ which takes me back to my point at the head of this piece, What’s in a name?

Artists’ Books?

There’s a term ‘Artists’ Books’ which is quite popular nowadays denoting an infinite variety of ways to make and stretch the curve in what a book can be. There are a growing number of Artists’ Books Fairs or markets etc. I’ve frequented a few but my work doesn’t sell in droves so I cannot really afford to have a stall unless I wish to make some new (networking?) links thru meeting new folks and advertise my wares, basically I have to tell myself, “This is like a holiday Pete. You’re running a table during the day then ‘after hours’ you can take a look at a place you wouldn’t necessarily visit, like say Oxford, Newcastle or even Edinburgh. Recently I was able to walk around the Bristol Artist Book Event (BABE) [wearing my new Apulhed mask] and witness the wonderful atmosphere and the way so many folk of like mind share a big space and fill it with beautiful artistic output. I spoke with a couple from Kent but have forgotten their details, so if you’re out there I’d love to connect up and discuss making 3D masks! The people who make the books are very talented and ‘artist’s books’ are a wonderful vehicle for all manner of ideas and projects and many of them are beautiful objects. Some of my work falls under the category too but I prefer the term ‘Books Artists Make’ (BAM) for my works.

I know that not everyone involved in artists books claims to be a artist but I did before I realised am not a artist, I am a man, I am me! But all my adult life I been involved in ‘art & writing’ but once again, What’s in a name? What does ‘art’ mean? What does ‘writing’ mean? In my case they both often meant under-mining or undermining or under-mine-ing. I would undermine my own stuff, I would often do something real good then undermine it with my next work.

I have this penchant for undermining, reaching under, looking past, looking beyond. I think it came from doing ‘History’ with the late David Clayton at school where we were encouraged to question things and this continued in my Philosophy tutorials with the late Bill Josebury at St Lukes. I hated the art dept at my college so I did everything I could to undermine the tutors. I disliked the politicians in the early 70’s like Thatcher who did her infamous cuts in Education then went on to destroy mining communities so I did scathing cartoons about their lack of consideration or conniving. One of Thatcher’s best buddies was Pinochet and she must have learned a lot from his methods, he, like other dictators smashed the poets, artists and educationists. So when it came to undermining the book, wow, I was in heaven.

Which brings me to the work of Tim Hopkins and his subject Fernando Pessoa’s The Book of Disquiet. Tim  has a day job, but when he gets home he must work thru the night on his little Adana press. http://britishletterpress.co.uk/presses/small-presses/adana/

Tim has produced a wonderful box of prints, which may be called an artistsbook of The Book of Disquiet. https://twitter.com/halfpintpress a bk o disquietLaunched on Thursday 6th April it’s on display in the window at the Bookartbookshop  near Old Street station, London. It’s difficult to describe but it’s very beautiful. Fernando Pessoa wrote his book (never published in his lifetime) during his final days on lots of ephemera and Tim has printed Pessoa’s writings onto many ephemeral objects like beermats, pop bottle labels, stamps, pencils, lolly sticks. This is a labour of love. He did 50 boxes/copies for sale and sold out almost immediately! I bought two packs with for pieces in each and they seem to be beautifully printed but Tim’s attention to the detail of Pessoa’s writings is astonishing.

a Pessoa

Pessoa had a strange view of What’s in a name?, he invented what most of us call alter-egos but he coined the term, ‘heteronyms’ to explain his use of a myriad of ‘characters’ in his writings who spoke with different tongues and names in his work. Fernando Pessoa says ‘my habit of placing myself in the souls of other people makes me see myself as others see or would see me…’

https://www.goodreads.com/author/show/7816.Fernando_Pessoa

and well done Tanya for arranging the show!

By strange coincidence I had come across Pessoa’s work for the first time ever a couple of weeks before this launch at Bookartbookshop as I was doing a poetry workshop (the same night as the launch!) at the Poetry school in Lambeth led by Saradha Soobrayen:

Session 4 Pessoa Task (for Thursday 6th April): Describe and create heteronyms to unlock hidden parts of your writing…

Pessoa’s on his term ‘heteronyms’. “A pseudonymic work,” he explained in a 1928 article, “is, except for the name with which it is signed, the work of an author writing as himself; a heteronymic work is by an author writing outside his own personality: it is the work of a complete individuality made up by him, just as the utterances of some character would be.”

Now you know my tendency to undermine don’t you? I’ll finish this blArt with my own slight consternation at Pessoa’s notion that a writer can, ‘write outside his own personality’? I tend to agree with this comment from the goodreads link above, that Pessoa wrote from 4 differing aspects of himself. ‘It is sometimes said that the four greatest Portuguese poets of modern times are Fernando Pessoa. The statement is possible since Pessoa, whose name means ‘person’ in Portuguese,…’

 

 

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An idjet suckseeds!

At last I did ma Shrewd Idiot & The Three Graces gig in front of an audience (of 22+ cos some came in came out as you’re allured to do in Live Art pieces, altho one or two walked out before I began!) and I finally discovered with a little ‘elp from ma frend (see below) why I do it. At the Arnifini in Brissole in their wonderful Dark Studio. It had been suggested that nobody would have the energy nor drive to wend their way up there at 5pm on an afternoon but beautifully every available seat was filled and the witnesses seemed quite attentive, nay near mesmerised.

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Much to my delight, as I had practised the ting and planned it over so many weeks without knowing if I’d be talking to myself alone on the day. I wantu thank my friend Dave who was first to say how much work it needed just six days before the event. Then my friends Max, Linda, Christine & Tom who said it really needed some big changes just five days before the event. I applied their advices. Christine did a lovely print & fold job on some words for me to hand out as folk arrived from which I read my ‘intro’ before I began the real ting.

Three old college mates came and it was wonderful to see them. Each of them features in ma big new deluxe book The Shrewd Idiot based on my thoughts & activities at St Luke’s College Exeter between 1969-73. My mate Gus was joined by his daughter Hannah who also does Performance Art and wasn’t even born in the time the books are about!

Tanya came to see what my fuss was all about. I’d like to thank them all for coming as well as all the other folks who came along. The gathered presence really inspired me to rise out of my fears and let the whole ting ting along well and it seems they all enjoyed it, especially the ones I mentioned above.

So what happened?

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First I shewed ma 3 new books (quickly as I was told this gig should last just 15 minutes).

a PK reeds da poem

Then I read from Christine’s handout.

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Then I got into character for the first few movements. The mask was taken from a painting I did back in 1968 which was exhibited in Burnley Artists Annual summer show that year. It was a face which represented the 17-18 year old me-myself-I, which is what the books appear to be about. It is also the first page of the Shrewd Idiot book printed on Zander’s Translucent paper so you see the title page beyond it as a sort of palimpsest. There’s 10 images on Zander’s Translucent in the deluxe A3 version each of which brings a palimpsest quality. For me it is a metaphor which signifies that life is not just what we can see and touch, there’s lots of other ‘stuff’ behind the veil. The painted face becomes another form of veil too, my mask. I always work on hunches in most all of my creative endeavours. I had a hunch these masks would be powerful, and they were, or should I say, ARE. I hope to have many opportunities to use them again and in fact I hope to make some 3D wraparound masks for future appearances as Apulhed & The Shrewd Idjit.

I did a couple of crazy dances meant to show what a ‘wild one’ I was when I left ma home toon to find ma way in th’world. The ting got serious when I told them I’d found a new girlfriend (Rose) but (rather carelessly) lost her at the bus stop. Van D. Man brought me a Beautiful Vision of her. After I lost her Lady Gaga had me howling at the moon in my doldrums.

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Suddenly, out of No-where, came a Stranger with an apple-shaped head and he seemed to want to help me. But he was a new arrival on this plane and he was somewhat perplexed by the sad things mankind does to humankind. He almost set off back to whence he came without giving me (and you) the benefit of his shrewd wisdom. When I did my first ever Performance Art gig using his visage on masks in Exeter in 1973 he seemed to see a shaft o’light thru the haze and so he stays but he said, ‘Man must mend his ways, starting with YOU!’

Then Van sang Warm Love bringing back memories of the time we had together, a memory I chased and tried to cling on to. But I returned to my old wild ways, by now I was making a Cry For Love, aided by Iggy & Bowie’s song and ma new mask.

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I’d almost given up hope when this beautiful woman (Camellia) arrived and gave me a present I didn’t really deserve which Iggy Pop told the story of.

Camellia also brought her highly intelligent rational skills with her which I celebrate with The Waterboy’s song Whole of the Moon. Sadly I couldn’t keep hold of Camellia at the time and I was on the road again alone and missing her.

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Once again after the moon enter Apulhed-man.

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This time lifting me up onto a higher plane where I was again joined by Van. He sings about being a Dweller on the Threshold, I tip toe across the burning ground and kneel down by the water where the lovely song about spirit leads me away, to delve into the mystic. “I looked at the swim and I dived right in!”1 apulama astoundin electric DARKA sm

To find the truth you got to look inside.

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Meditation helps you to do that.

a apulswalo outlineI actually had picked up the wrong mask for my final fling so my Apul-Swallow mask insisted he be photographed outside of the Arnolfini as a goodbye gesture.

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And all my friends came too…

The feedback has been good too. One friend said he remembered that I always liked to dance, another said she thought I danced beautifully which came as a pleasant surprise. My old mate from Enfield said ma gig was ‘…very moving and affecting…’

This was also what ‘James the tech’ in the Dark Studio said, ‘I was strangely moved by it.’ I am so pleased that it came over that way.

The Enfield Man (EMan) later wrote me saying, “…we had a chat afterwards about your performance and books and we reckoned that, based on what we saw, your books together with the performance was the best thing that we saw at the event. What you did, in my opinion, was to say, “look artists’ books are really different“…they are not just books with the limited and specialist vernacular that goes with the production of a “book” for a literary audience …artists’ books are a completely separate art form. Your performance really adds to your books as works of art. ” Also- “…The Shrewd Idiot book has a wonderful feel and special value attached to it just from a “laying on of hands” point of view…”

That’s exactly what I hoped I would achieve in my works, altho’ it has not been easypeasy. Sometimes I have wondered whether I been forever Barking up the wrong trees, ‘Am a long way from home (my comfort zone). How did I get here?’ It is so gratifying that am getting such lovely reinforcing comments.

ps I am working on a smaller version A4-ish) of The Shrewd Idiot which should have much of the ‘feel & look’ of the bigger (A3-ish) deluxe version but will be a tiny proportion of its cost.

Talking about ‘the feel & special value’ of real books my downunder friend Fiona Dempster did a blog – https://mail.google.com/mail/u/0/#inbox/15b43ee869fd87b2 on th’smell of the buk.

This coincided with my friend (who I met at BABE four years ago!) Susan at Bound’s tweet: https://twitter.com/boundbyhand/status/850335549034561537

An Incredible Coincidence

Ma next blArt will be about the poet Pessoa and my being caught between Bookartbookshop & The Poetry School on Thursday 6th April.

The 3 Graces meet Appleheadman.

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Let me explain some of the characters who will play a part in my Live Art gig The Shrewd Idiot & The Three Graces with guest star Appleheadman at the Arnolfini on Saturday 1st April at 5pm in the Dark Studio on level2 during the bi-annual meet of The Bristol Artists’ Book Event (BABE) 2017.

First let me explain why I do such things which keep keeping me far out of my comfort zone as every one that I do gives me lots of challenge. This time I am doing it to bring my new book series to life, literally! I have just finished creating 3 new books which centre on the life I was put through from 1969-73 between three beautiful places in England; my home town Burnley, my college town Exeter and my summer vacation town Bournemouth. The subject of the books is threefold; growing up, becoming a fully-fledged creator and my ‘affairs’ with three beautiful women. My books ram 4 years into 125 @ A3 sheets, my PerformanceArtPiece (PAP) rams 4 years into 15 minutes! Easy-Peasy.

I love making books, by which I mean the whole process from concept thru writing, image adding, layout, control of print, bind and materials. I love doing the PAPs. I been doing books & PAPs since 1972 and hope to go on a long time cos I have a big back catalogue of material awaiting production.

a wrap pete & jamie2
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That’s me in the batter hat with Jamie Burr in a wig during a gig at IPA 2015 photo by Jurgen Fritz

It is useless doing beautiful books if nobody gets to hear about them nor ‘gets’ what has gone into them so I have upped my Live Art side by exposing myself to a 10 days PA session with IPA in 2015. That gave me insight into what folk are doing and where my limited skills fitted in. It also unharnessed my latent penchant for making a fool of myself.

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Which brings me to the main character in my new PAP, The Shrewd Idiot (Th’S.I.). Some folk may have the mistaken notion that it’s me but it can’t be cos am not that shrewd! Th’S.I. thinks he can mime, dance, do poems, dress up and no doubt he’ll turn up next Saturday.

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The 3 Graces; Bluebell, Rose & Camellia.

The Three Graces were 3 unsuspecting women who thought the guy they met at the disco was not just a great dancer but also kind & considerate. By the end of the book they all have seen the mistake they made and slung their hooks (at the SI!).

Appleheadman, an ‘alien type’ [never said what dimension he or it’s from, actually it emanates of course from my sub-conscious but I believe that store taps into other things which we don’t really understand], who was shocked at some ‘human’ behaviours when he first saw them. Then as he studied humans he saw they also had good habits too like Rock music, Beano comics Football. These areas are some that I covered with illustrations that I created to place inside some screenprinted heads of Appleheadman back in 1972, the prints were all individual at about A1 size and formed into a concertina book. Until recently print cost would have been astronomical so I never did a smaller version for public consumption but now colour print has become a reachable price and I have made 50 copies at c. A5 size which are ‘perfect bound’ with a little embossed stamp on the cover and a mirror inside.

I hope to find time & space to show my books to those of you interested in ma books at BABE. I’m bringing a ‘view copy’ of The SI book and the only copy of PK 1968-73 along with lots of copies of Appleheadman Sees hot off the press last Tursday.

I hope you can make it.

Namaste

Pete

If you like this blArty bit there’s 2 more o ma blogs yez needs to peruse about ma new buks and the next gig:

https://apulhed.wordpress.com/2017/03/21/wonderful-breaking-news-about-the-book/

&

https://apulhed.wordpress.com/2017/03/02/an-announcement-on-world-book-day/

See ya there!

An announcement on World Book Day

An announcement on World Book Day (not for children tho’!)

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A Pile Of 10 deluxe Shrewd Idiots 2nd March 2017

YES THE SHREWD IDIOT’ (deluxe limited edition of 10) IS NOW READY FOR PURCHASE!

As part of the ‘PK College Days Trilogy*

BUT BE QUICK COS THERE’S ONLY 8 LEFT!

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Pete Kennedy will be doing a fifteen minute Live Art Piece (LAP) of his

‘Apulhed & The Three Graces’^

to introduce the book’s content at Bristol’s Arnolfini gallery in the Dark Studio

at 5pm on April 1st 2017.

And that’s no joke.

As they used to say way back when, “Be there or be square”.

PK will ‘perform’ his books’ content with the help of a series of masks, costume changes, specially edited music, mime (?), dance (??) and poetry (???). Please bring your cameras and flash away then, if possible, send PK some of your images for his blArty blog! “I hate it when you go to a gig and they’ve banned the use of photography. Some of the best work in my books was camera assisted.”

*The ‘P.K. – COLLEGE DAYS TRILOGY’ is comprised of two circa A3 books;

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Front cover of The Shrewd Idiot
  1. ‘The Shrewd Idiot’ [Out Now- the story of Northern Lad recounting how Three Graces and his ‘creation’ Appleheadman helped him to rise out of the morass (short for His Moron’s Ass?), &
  2. ‘Pete Kennedy The First Five Years’ [To be released soon- 37 artworks 69-73 printed on translucent paper to complement The Shrewd Idiot], both in a deluxe edition of ten.

& 3. ‘Appleheadman Sees’ – which is circa A5, unlimited edition. Out Now

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Back cover of Appleheadman Sees.

The three books can be bought separately or as a trilogy. Buy one or both of the deluxe editions and get a free copy of Apul-One’.

^ ‘Three Graces’ are three women who partnered our Northern Lad at some time during 1969-73. Each of them came to him at crucial times in his life and each brought new and wonderful loving experiences.

 

my caricatures old & Knew

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my rework of last week’s cover of Time mag

I have to thank all the folks who visit my blArts and have to tell you that a tweet I did this week has made a mark in Tweetland! It’s ‘viral’ for any of my stuff! here’s some info:

pete kennedy @petekennedy5  Feb 17@Bonn1eGreer here’s a variation on th Time cover Bonnie! @ChiaraAmbrosio the man is a menace blame the USA voting process, we move same way? pic.twitter.com/IvbiUfxi2j {Clik to see the tweet! may need ctrl + clik

In one day (Sat 18.2.2017) 4,572 (number of times viewers saw this twit)

347 ‘interactions’

7.6% (of 4,572) ‘engaged’ with the tweet

Prior to this activity, related to my re-framing an appropriation of this week’s Time mag cover image of a noisy man purportedly elected to head one of the world’s noisiest countries my ‘organic impressions’ on twitter averaged about one a week!

The man who I believe ‘the man is a menace’ was of course a totally ludicrous figment of my imagination (because if I invented him nobody would take me seriously would they) called Bonard Crump. IF fame is what am after I’d do lots more caricature, wouldn’t I?

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my Valentine this year with all ma love

Talking caricatures I did one of Nixon meets Mao [which you can see in my new (facsimile) book based on some screenprints I did. I don’t expect this to go viral cos they’re both unable to do any more damage cos they’re dead, not just brian dead!] in 1972 called Appleheadman Sees. I had created Appleheadman (aka Apulhed) in Bournemouth in the previous summer after which I spent 3 months in Tregony near Truro in Cornwall so it was not until 1972 when I returned to college in Exeter that I was able to embark on my first ‘serious’ art project using the personage. I wanted to imagine what the human condition may appear like to an entity from ‘somewhere else’, say, another planet or dimension. And it didn’t appear good. Funny, a little later in 1976 Nicholas Roeg (don’t worry am NOT saying I influenced Roeg, he lived down under and was out of reach of my activities in Exeter!)  did his take on alien visitation starring another alien, the late wonderful David Bowie. https://www.timeout.com/london/film/the-man-who-fell-to-earth

I shall be in Bristol on April 1st at BABE in the Arnolfini (5pm in the Dark Studio)  where those who can get there will be able to see Appleheadman Sees and of course my new Shrewd Idiot book in its deluxe version. I shall be doing my Performance Art Piece (PAP), a 15 minute ‘gig’ wherein I shall try to represent all the issues in the work of my college days…phew, that’ll be easy…won’t it? Well am working on th’music for it now, and the dance, and the masks, and the costumes etc

a new ‘Shrewd Idiot’ book

Here’s a sighting of ma new Shrewd Idiot book during the binding at Sullivan & Son.

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It’s A3 size, that’s with two A4 type-written (By Jill nee Williams in the late 1970s) sheets on each page. There are 13 ‘big’ images at A3 size potted thru the script along with lots oif little doodles and some nice images dropped into the typed pages. There’s lots of alterations and corrections through the document because it was originally meant to be a manuscript to attract a publisher deal. In the 1970s the publisher would take this document and hand it to the typesetter who would follow the instructions which I had put over the type and any which were added by the publisher. This ‘manuscript’ was never intended for public consumption hence the need at one point to go through and change all names when I thought maybe I’d self-publish as a normal book which would be typed into a modern form where all the corrections and changes could be implemented so the viewer never see them. However, I decided not to have it re-typed, that would have made my job a lot easier so it was a must to avoid, NO, better to really really struggle with the original typed pages, scan them in then alter them as required in photoshop then design the layout in Quark (I know, Quark is so out of vogue now and it’d be much easier in Indesign, so I stuck with Quark, you know me.

So, there we have it, the book is now printed and with my binders who have now debossed the actual cover cloth with my little drawing of the Shrewd Idiot pushing his barrow of books, well one BIG tome anyway!

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This red image is only half the cover, it sits to the right hand side of the cover making it look like the fool is pushing his barrow off the book.

Everything about the book is not exactly what it seems at first glance. It looks like a story about a young bloke who left his home town and travelled as far away as he could to get an education and how he was initiated into all those things young fellas need to be initiated into. But it’s not about that at all. It’s about awakening, awakening of consciousness and the acquisition of skill to carry the revelations that an awakened consciousness finds in a pretty uninterested world. By the end of the book the idiot has a lot of disappointing outcomes but they are just more revelations about how hard life can be especially when you have a penchant for making life difficult or finding the hard way to do the easy things.

In the end the book is not about that fella back in the early 1970s, it’s about his older version now in his mid-sixties and how he never gave up on his dream of showing folk the quality of what he found in all those initiations and revelations and how it took more than forty years to bring them out in a public format. You’ll see as soon as you open it that it is not what you thought it was as the opened book shows, it has a beautiful feel to it and again that’s an acquired sensibility from over 40 years of continuous effort and striving to achieve.

And the best is yet to come because this is just number one in a whole series of publications which this guy has been preparing over the past. But there’ll be no more quite like this, I’ll find easier ways to do the design and layouts. Watch this space.

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the original face of Apulhed when he saw mankind’s inhumanity all over the planet Earth

The book plus a sister publication of 37 A3 images should be available by the end of February 2017 and hopefully a facsimile publication of the famous concertina ‘book’ called ‘Appleheadman Screams’ which I did in 1972. Nothing has changed, the things he screamed about are still going on…and on…and on. Apulhed shows a perturbed visage but he won’t accept the original face of Apulhed when he saw mankind’s inhumanity all over the planet Earth, he decide that rather than flee this realm he will stayy to spread happiness and compassion, slowly but surely he knows that humankind will return to peace.

I am doing a launch Performance Art piece at the Arnolfini during the BABE book event on Saturday 1st April. Watch out cos that’s not what it seems either, whereas if you can get to it you’ll see what looks like a Clickerti-Clix year old bloke prancing about with words and masks and dad-dancing (not! I do Zumba once a week don’t you know), it’s really an introduction to the Shrewd Idiot book with all its ins and outs. More about that in my next blog.

Black Dog at Tate

Ok so I went to Dave McKean’s performance and discussion of Black Dog at Tate Britain. I’m afraid I ain’t got the time to give it a truly full and gripping report which it deserves as my life is busy, getting busier, so to catch up I am going to bring in some images from that gig and just make short notes. It were wonderful to see the images from the book big up on screen and the light that shines thru makes them even better than on the printed page. I hope D McK don’t have any problem with me putting his images up on my blArt, I do it with the best intention and it will bring the stunning quality of his work to a few more folks.

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This is my portrait of Dave McKean, I have him sitting meditating above a cloud holding the kingfisher’s egg with the big old moon which was in the sky early November.

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Dave showed that he is also a composer as he played the organ in this concert with his incredible coelacanth zeppelin image.

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Matthew Sharp sang a lot of the lyrics in his wonderful baritone (?) voice.

 

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Clare Haythornethwaite played violin and added some high pitched vocals.

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The battle of the Somme began with one almighty explosion which was heard across the channel in London. Dave’s dragon takes a pretty dull thud and makes it both exciting and menacing.

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Nature still continued to appear during the trench warfare and here D McK highlights a robin.

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In his graphic novel he had a hand searching for a kingfisher’s eggs and I added my character Apulhed to the score!

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Butterflies make a welcome break to the shrapnel flying at the entrenched soldiers.

Black Dog is one staggering graphic novel!