Simpler blog part 2.

OK so I have stopped attempting to change the world (for what I consider the better…after all that’s only my opinion, innit?) and now I just do ma simpler blArt.

This one’s about:

My old windsurfer board, Colchester Art Society’s (CAS) forthcoming 70th anniversary show, a talk at Tate Brit, my pose for Benton Hall challenge, a general celebration of life, oh and a decision by 14-18NOW against supporting my work which I’ll put first as I don’t wish to end on a down note…In fact it’s not a downer, it’s a relief.

I asked 14-18NOW if they could see their way to support my idea for a book and a  Performance Art PA piece about the part played by ordinary folks in WW1. I am determined to do both things and, like I have always done, create them from my never ending personal financial store which presently is my pension. I have this crazy idea that at 65 I can do all the things I never managed to do (much, apart from 21 solo exhibitions including lots of new (PA) bits over the years between the 70s and when I retired hurt frae teaching in 2009 or should I say re-tyred, or even retried?) whilst I had to work a day job to feed my wife and 2 and a half kids…the half being the cats, hamsters, wabbits and occasional bird from budgies to those damn tweety little tings, oh and guinea pigs and silkies…

[Pete this is not being simple!

OK, I’ll not wander off the topic, I believe ‘digress’ is the correct werd]

So, my idea is to write a book which talks about all the folks in my home town who were scuttled off to war in 1914 and put images of them in from their obits in the Burnley papers of the day. Then I had this idea to build a ‘trench’ with two turrets, one each side of the stage and then I play Tommy and Gerry, scurrying back and fro giving the other waller some hell and getting myself blown up as both men. Then I had this idea to have dummies made of the aristocrats who created the war and machinated its continuous slaughter using donkeys to lead the lions in the trenches (as they say). Audience members would have been invited to throw tomatoes at the dummies whilst emitting slang low life curses about their megalomania. But it’s a stupid idea anyway and as 14-18NOW so aptly put it, “We … regret that we have decided not to offer you one of our co-commissions.  We did not believe that your project would have the reach and impact that we are seeking for our final season in 2018.” Neither did the plans of the generals on all sides in 14-18THEN!

What do I know about potential reach? All I do know is the men and women who suffered so much tween 14-18, then some more in 1926, then more in 39-45, then some in the miner’s strike…

(so well portrayed by Ken Loach https://www.theguardian.com/film/2011/jul/20/ken-loach-documentary-first-screening)

…all deserve to have their stories told. But not from the ‘official’ viewpoint which so often has belittled the millions who were sacrificed. It has not been ‘playing cricket’ to let loose on the war-mongers who would send thousands of men over the top to be mown down by machine guns, not just once then stop it after realising the fruitlessness of it, no but many more times. A dead strategy leads to dead men and annihilated towns etc. It is happening now in Syria. And Ukraine. And Tibet. But nobody talks about it. And that is what my ‘play’ would be about. So in a way it’s good to not get support cos it relieves me of sticking my neck out and getting banned for 40 years like Ken Loach did and I don’t have 40 years left to play with anyway. So, that’s it then.

a board s

My old windsurfer board:

It sure looks like I am trying to sell it butNO! In fact I am trying to overcome my reticence of clearing out unused tut. I have kept and accumulated everything that came into my life, except people of course, of those I just have memories, at least for the time being, until that goes too. So you can understand when I tell you that I cannot open my studio door let alone work in it. I had to stop windsurfing several years ago cos my hands were suffering and I couldn’t hold the boom. But there is the board, hoarded. Yesterday I plucked up the courage to put it out for sale on our front, it didn’t sell yet cos our front is quite obscured in a little village, but it’s the thought that counts (my ability to sell don’t count that’s fer sure, never has).

My pose for Benton Hall Olympic challenge photo?

Well who wouldn’t want a free month membership? They asked us to pose in sports gear and put an image up on the Benton Hall facebook site so I wore ma Tai Chi top and took ma Tai Chi sword and did a pose, see below. The photo what gits the most ‘likes’ wins a month free.

A show & tell talk at Tate brit?

Last Friday I went to Tate archive where this Irish lad brought out some letters written by Vanessa Bell, Michaels Rothenstein & Nicholson and some drawings by Paul & John Nash and Robert Graves from around about 1418then. I went up cos I were researching my Somme Boys idea (again) and I thought it may cast more light on those dark times which indeed it did. I heard the phrase ‘Lions led by Donkeys’ for the first time from the mouth of that very same Irish lad. And the phrase resonated with my synopsis that the war was created and run by megalomaniacal monarchs and twits from the so-called ‘Upper Classes’. It was good to see John Nash’s sketch of some fat generals coming round to inspect the troops. And fascinating to see how Vanessa fought to be able to give conscientious objector Duncan Grant a home and job during the war, if he’d been from a working class family they’d have just jailed him. I always saw it as crazy punishing people who didn’t want to kill other men but war is like that innit, you gets medals for killing when in peace time you’d get hung (in 1418backthen until hanging was abolished, in England, they still execute folk in some countries but.

[Too heavy Pete]

The Colchester Art Society’s (CAS) forthcoming 70th anniversary show opens this Saturday for two weeks.

http://www.colchesterartsociety.co.uk/page_2249082.html

It’s 48 years since I first submitted any work for an Art group summer show, that was back in me home toon of Burnley in 1968 where i had two portrait paintings (I promise to dig out the one I still have) accepted and mentioned in the Burnley Express, so I should be good at submissions by now but I found recently you still get those nerves as to whether your best efforts will gain the nod of acceptance from the group. Then I said to myself, that nervousness is a deep rut learning thing (see Guy Claxton on that) and it’s like a bad habit, have more faith in yourself, you’re no longer that 17 year old novice. I don’t like joining groups. Especially after my history of failed attempts at the RA show where after about 5 submissions I finally had two accepted by the panel and then they weren’t even hung. RA sent me a letter congratulating me and said it were an honour to be ‘awarded’ ‘Doubtful’ status. That had cost me about £120 to NOT be seen by the RA visitors etc, some honour. So I never bothered again. I know, the nation’s in mourning, but I can’t be throwing away 120 quid every time _carriage & submit fees). One year I know someone who paid to submit an artist’s book there and they cancelled the category after allegedly not having enough entries in the division, but they din’t reimburse her.

Recently I was persuaded to join CAS recently and submit some artworks fer their show which I did and much to my delight they’ve accepted 3 works and hung two very beautifully. My tribute oil of local writer John Atkins and national hero funny man Ken Campbell stands or hangs rather in a space which you can’t help but see as you enter the big main room and even tho I say it myself [Nobody else would you tweet] it looks real good. All those hours slogging away over a lot of turps, linseed oil and canvas on dark lonely nights has eventually paid off.

a CAS submit aug 16 jAt + ken sm

This was one of two painting as accepted by the RA in 2005 but not hung, that’s why I have RA Doubtful after my name on ma cards. [Now, you’re slippin back Pete]

I won’t mention the fact that my brakes failed just after I had delivered my work to the Minories in Colchester because that would worry you too much, but they did. And it’s funny innit how such a simple thing can have such unsettling consequences. Not that I managed to crash or ought like that, but just driving yer car up to th’garige to have them tell you you got a leaking brake pipe or summat and then you place the car in the compound and get a lift off yer wife to your business for the day and then at the end of the day the garage rings and says that you didn’t leave the key and you say I most certainly did and they say just check your jacket pockets sir and you do and there they are those sneaky keys what just must have jumped back into my pocket. So the car won’t be done today obviously.

What’s a general celebration of life then?

Well of course I didn’t have a prang, that’s enough to celebrate innit? And I took more photos of beautiful tings this week.

a chili guru 2 s

Guru cat contemplatin

aha shiney sword sm

Well he may not be so beautiful but he keeps trying.

snoop rainbows

Here’s Snoop having a rest unda a rainbow in our ‘ouse, which is a very very fine house, with two cats in th’yard…

sunset monster sm
sunset over West Ham ground at Stratford last Friday night.

OK I realise this was not a simpler blArt, I’ll try harder nextime.

Bye fer noo, I bid you good night, or g’day wherever you are.

 

 

 

 

Advertisements

5 thoughts on “Simpler blog part 2.”

  1. Good, Pete! Such a shame your painting of John Atkins and Ken Campbell didn’t get hung at the RA, but I guess CAS is the next best thing? Anyway it looks great!
    I have bought you another jar of Leicestershire honey by the way!
    All the best
    Paul

    Like

  2. That was fun and interesting to read. It cheered me up after having my computer stolen and spending three weeks trying to get the new one back in order. I like the reformed spelling, it needs to be done for the rest of the language.
    Jean

    Like

Leave a Reply, let me know what you tink about this blArty ting

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s