Authors’ Authority.

 

Remember who you are, what you are, and who you represent is a good mantra.

I was born Peter D. O’Kennedy (http://blogs.transparent.com/irish/an-sloinne-o-cinneide-the-surname-kennedy/ ) in Glasgow Royal Infirmary most definitely of Celtic descent. My paternal grandparents came from Cork & Limerick.

Since I left school in 1969 I been trying to ‘make a name for myself’. But I already have a name, so really there’s no need to make another (anudda). Once again I have to tell maself to STOP, just be your-self. And that’s what I am best at.

Recently whilst negotiating an article for JAB about Dieter Roth and how he far outstrips most all other ‘artist-book’ makers they suggested I focus the writing around my own work. POW, off I went into a piece about some of the great German artists and writers who have impressed upon my work which was published in JAB 38 http://www.journalofartistsbooks.org/current/ . I watched Bob Geldoff’s tele-piece on W B Yeats last night. It was very revealing and helped me to understand the poet/writer better than before. I went to bed thinking, ‘Well that explains some of my own passion and drive…It’s the Oirisht in me…it’s a cultural ting’. I slept a couple of hours and at 02.30 hours came down and wrote this, “I was born in Glasgow Infirmary of Celtic descent. I have 3 books I must achieve:

  • The Shrewd Idiot (SI)
  • Squidgeratscrawls (Sqasc)
  • Genie Ass (G.ass)

I am collating SI. It’s a labourious process but that’s by choice.

Sqasc should be more joyfull.

G.ass is going to be done in 5 or 6 parts, should be ‘fun’.

Then I can re-lease my-self to do the other books that I wish to achieve, some more spontaneous, others from already existing notes & ideas. I don’t care about the audience, just want to achieve them. ASAP.”

Then I returned to bed til about 7.30 am.

a title page for si
an unusual page from SI cos it’s actually typed into the manuscript, most pages are pcopies of old typed pages.

Last week I spoke about my work on the new SI. Am onto page 22 of 252 jpegs to vire over into ma layout. It is quite slow. But I do keep doing other tings. On Saturday I ran off to Tate Britain on a mission where I was surprised to see a painting by Tagore done in 1939! I would like to show you it but, as usual, you cannot take photos in these exhibitions, so everyone loses. I wished to suss out the Susan Philipsz very touching and evocative sound material made on instruments damaged by wars. I had an idea to ask the Tate if I can use a space there to do my Somme Boys Performance Art piece, but you know what it’s like, they’d say who are you/ are you already famous? And there’s no room at the inn fer yo laddie. I have approached the set up that supports Susan Philipsz installation, 14-18now, but am not holding ma breath. Here’s what I sent em:

 

“A Commemoration of the Somme

haunted warrior ww1
ww1 veteran

Performance Art Proposal from Pete Kennedy

I have an idea for a piece of PA which I would like you to consider.

I visited Susan Philipsz’ lovely sound art at Tate yesterday and I noticed lots of empty spaces which I could use to do my piece. I am not thinking it could be done just at Tate but anywhere, in any town or city. I understand that you back things which commemorate WW1? I have also got an idea for an artist’s book about the Somme.

I have chosen the Somme because hundreds of men from my home town of Burnley were killed there.

I am an artist aged 65 who recently acquired an MA in Bookarts and have moved into Performance art after doing a course with Jurgen Fritz & Vest + Page at Glastonbury.

I shall make the book and do the performance art about Somme come what may but I would much appreciate it if you would support my work.

It can be done very simply with few props or a big BLOW-OUT version which would involve a mound of (something like) mud and a structure to represent a trench with inter-connecting ‘tunnel’. I have musicians who can create site specific sound.

This is developing daily as I realize more. For example, when I worked with Jurgen last October I realised I must not make it just a memory of the British losses, the Germans suffered too.

Yesterday at Tate’s ‘Artist & Empire’ I saw a double portrait by Philip de Laszlo of two Indian (Sikh?) officers, Jagat & Man Singh, who were painted shortly before they went to the Somme. It said that 1 in 6 of the allied force came from India. So now I must play ‘Tommy’, ‘Otto’ (and maybe ‘Singh’?) in my PA.

Namaste”

Then I moved on up to the British Library to see if I could find a copy of the Burnley Express that I saw in 1970 which was from c1916-18 and every page was full of obituaries to the dead men from the town. I want to use those pages in a ‘book’ I want to make for my tribute to those who fell at the Somme form all parts of the planet. I can’t trace the darned ting, I know it’s out there. If only they still had hard copy I could go to a library and rifle thru! I shouldn’t be considering doing books and performance art about the Somme, I got enough to do, but It’s The Way I Tell ‘Em!

Footnote to Joey B. “I was always told ‘Remember who you are, what you are, and who you represent: The Arsenal.’”  David Rocastle ex-player. I think young Joey Barton should listen to David. Concentrate on playing good football Joey not jumping all over the opponent’s leg.

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