Let’s Do It, Live Art…

‘Whilst Live Art remains elusive to most mainstream commentators its influence is pervasive, and intriguingly the concept of performativity – its central tenet’ from an article by LADA (Live Art Development Agency) Director Lois Keidan that appeared in Guardian Online on 22 October 2015 when I was half way thru the two week course led by Jurgen Fritz which has totally re-aligned my thinking on what my art is, was and forever more will BE. I am so determined to do Performance Art in my future and have just come across a conversation involving a friend I made (Andrea Pagnes http://www.vest-and-page.de/ ) at the IPA fortnight with a man whose work totally blew me away when I discovered it in a book that I saw at the bookshop in the National Theatre (I’ve yet to see anything other than photos of the man), Ron Athey. Their conversation gets to the hub of the issues in PA and altho I am a novice by comparison I felt so privileged that both Vest & Page said such wonderfully constructive things to me about my efforts. I received so much encouragement to carry on. Recently I have heard it said that ‘art’ is a minority interest (but today on Anglia BBC morning news they tell me “Creative Industries are worth £76 billion per annum to the ‘Economy’- why don’t i see any o that?), well it may be a minority interest to some but it’s been my obsession now for 48 years. I still have some more to say and it will be thru PA/Live Art which is so much more demonstrative in its appreciation than the ‘art world’ [sorry art-world but I been trying to make a dent on you fer 48 years and the door won’t budge! At least when I do Live Art they clap and cheer (when I get off)]Hee Hee.

v & p latex dancers

That’s Andrea in the mask on right hand side.

Some words from Andrea Pagnes in conversation with Ron Athey,

AP‘… the richness and uniqueness that can emanate from personal experience, lived life and the consequent artistic research which arises directly from the deepest inclinations and existential urgencies of an individual.’

‘…when performance art intersects life directly and uncompromisingly, and draws on the most basic instincts, processes and transforms the deeper reasons and urgencies of Man’s presence in the world … it is revelatory: a sincere, transformative experience on human scale.’

RA says, ‘…How, in any medium, to bring something esoteric to

life, how to disturb a given, how to represent the super natural.’

AP you have … challenged conventional bourgeois mores, tastes and expectations

…by addressing viscerally emerging social hypocritical worries…’

RA performance art today… is not populist. Why not do benefits/write for funds/self produce in an amazing site-specific place? Cuz it is so much work but so worth it!

 I love the bit about ‘the richness and uniqueness that can emanate from personal experience’ and that underpinned what 3 of my course leaders said to me. Andrea saw the natural clown/fool in me in two settings which he commented on. I see from the vids on V&P website that he has done much work with clowns.http://www.vest-and-page.de/#!the-smile-at-the-top-of-the-ladder/c1orh

They all encouraged me to use my life experience in my PA, something which comes easy to me I must say as I’ve reached a point in my life where I treasure every moment I have lived and I am ready to go out there and bring my stuff to folks in a variety of settings. At IPA I used some of my Ashtanga Yoga practice in some of my pieces, particularly the Jug Dance but there were other ‘moves’ and references too. Ashtanga Yoga is a fairly vigourous form which emanated from the teachings of T. Krishnamacharya thru his pupil K. Pattabhi Jois. Another of his students B K S Iyengar popularised his Iyengar form in Britain from the 1960s. The main difference as far as I can see is that Iyengar encourages the use of aids like cushions to ease the new student into the forms that can be somewhat excrutiating for a long time for starters. I for one have massive difficulty trying to do a lotus position but no matter, you do what you can and you gradually move towards perfection.The good thing is people do yoga into their 90’s which is fortunate cos I never started til I were in ma 60’s!arnolfini outside jug dance smPhoto by Nicole Murmann (thanks!)

This is not Yoga it is Performance Art, why? cos PA is what the artis says it is, Jurgen told us that, didn’t he?

I discovered a book on yoga which I’d recommend to anyone who wants to know its benefits, it’s called, The Reluctant Yogi by Carla McKay http://www.goodreads.com/book/show/15000943-the-reluctant-yogi

I have been doing yoga once or twice a week and now I am so glad I began as it’s obvious it has so many astounding benefits.

Namaste.

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