1969 poem in the back of an open lorry

In 1969 I wrote this poem in the back of an open lorry which had just picked up two sixteen year old hitch hiking Welsh newly-weds and a nineteen year old me.

carol fred poem alone

They offered to buy me breakfast in the transport Café cos I only had a penny left which I had been given by the girl Gwennie in Under Milk Wood (not)

Yesterday I wrote another poem on the train this time

a train poem 2015 sm

Not much has changed

Except my age, my experience, my prospects

I am still writing drawing photographing

As I move thru the days and years

Hoping one day to get thru

Maybe to you or

Some others

Then I popped into Tate and saw the wonderful works of Sonia Delauney displayed. And entered the Offprint art publishing fair at Tate which was great altho I only did about 6 tables of the 140.

I met some lovely folk. I met Richard Embray’s colleague at the Fourcorners table where I meant to buy their book of Paolozzi archive stuff but I never got back to buy it cos my ‘egs were laching’. I spoke with Krystine (?) at Argo Books and bought Kirstine Roepstorff’s beautiful ‘book’ Horizons of the Moving Mind which is composed of a folder, like my Inside this earthen vessel, with nine ‘repective pamphlets’ tucked inside a bit like b s johnson’s The Unfortunates. I am all into these odd arrangements in artisbuks cos I don’t like the norm. Ditto do some good books, http://shop.dittopress.co.uk/products/god-listens-to-slayer-sanna-charles-pre-order I loved their use of little inserts.

I particularly liked this one by sternberg press

http://www.sternberg-press.com/index.php?pageId=1546&l=en&bookId=440&sort=year%20DESC,month%20DESC

see also http://www.thebooklovers.info/Artist-Novels-The-Book-Lovers-Publication

and maybe this about Picabia- http://ensembles.mhka.be/items/11381

Then I met Aaron at Morel books http://morelbooks.com/Bookshop.html we got on fine and when I said I am re-working my 1970’s buk, the shrewd idiot he said yes send me some of the pages as it grows, so I shall as am getting very excited as the book develops. I am using the original hand-writings and the typewritten type as my ‘fonts’ and the words become the pictures. And the pictures will overlay the werds. I can’t ‘see’ the finished work but that ‘chance’ elememt is very exciting in the mix. He has a couple of Blake (Wm) plates and prints from them and also some work with Patti Smith who I luckily saw do her intimate readings of hers and Blake’s poems etc at the Blake Society do a couple of years ago. I like the way Aaron obviously likes the use of overlays on words and that’s the way my New Shrewd Idiot is moving, with my 70’s sketches and photos in front of the werdz and also I can scrawl over them with my hand-written and calligraphic ‘marks’ of today.

I managed to speak with Colette about my work and asked to be considered as an exhibitor at the next event, altho I’ll be a small teeny weeny fish in a BIG pond if I get a table. She introduced me to her partner who selects the table holders and both of them said they like my little buk Inside This Great Jug. And by the way last week the Saison Poetry Library has accepted a copy too.

I am pleased to say I shall be doing ma ting at the forthcoming Book fair at the Baltic in July, so I must learn the words and get dancing again. No rest for the wicked. Am also intent to make a new little buk about the creation of my big pic, Venus Stairs.

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