getting ready for BABE.

So, getting ready for BABE.

You have a new ‘book’ Inside This Great Jug out in time for BABE, why?

pete's earthen vessel

Well, I wanted to complete the cycle of artist’s books which emanated from my love of that poem by Kabir Inside This Clay Jug. It’s the third version of the poem(s) and the last changes which I shall ‘publish’ as an artist’s book in an edition of 25. Although the Beuys’ poem I shall be doing at BABE has already been changed several times since I completed Inside This Great Jug. I have a version which I intend to use at BABE now and that is it! No more alterations or ‘improvements’! And I am shewing that to nobody before BABE, except in spoken form, in practice.

 

So it follows on from and develops the poems in your second book in the series, Inside This Earthen Vessel. What then is Inside This Earthen Vessel (ITEV) about Pete?

 itev cover

It’s about spiritual harmony, peace on Earth, goodwill, humankind(ness). It’s about some (6) humans  who sought to find harmony & answers then share their ideas (whose names make up the title of an earlier book in the series G BATCH)

g bat cova

G Gurdjeff

Beuys

Angeli Silesi

Tenzin Gyatso

Carl Gustav Jung

Hermann Hesse

(As it happens only one of them, Tenzin Gyatso the Dalai Lama, is still living in his human body, the others still live on in the ideas they left for us).

ITEV is a search for peace and harmonious existence. It shows six men who pursued practices which encapsulated a vision of what life can mean and how to prepare for leaving the mix of sorrows and joys of this mortal coil…foil…toil…. Coiling, swirling, twisting, trickstering, mysterying, and most of all it’s about dancing to the sound of the Cosmos, to the sound of one hand.

I have made the words in the new version, Inside This Great Jug, are a bit easier for the casual onlooker to understand which will be important if I am going to read any of them in the Arnolfini to people who may never have met me nor seen my work before. The images are also a bit brighter in Inside This Great Jug as I’ve made the portraits more colourful. Whereas ITEV is a more complex package with the layouts of its poems being in the shape of a pot and the pages remain unbound but kept in a little folder. Inside This Great Jug is a concertina folded book with a cover. And it’s a dinky tiny thing which people seem to like and they are calling it ‘pocket size’.

I notice there’s one poem which is very different from the other six?

Yes well that’s from the collaboration I did with David Jury who took the words from ITEV and reset them in his letterpress version. We edited the poems and even added a subtext. That odd one out is from that version of ITEV. It’s handy really because I chose to have it in this new book cos am doing a reading of it in the ‘talk’ at 4pm on Sunday 12th April. Most of that ‘talk’ will feature the life and work of Joseph Beuys because he is the most artist-like of the six men in the poems and of course it’s being done in an art gallery. I won’t be ‘talking’ all the time I hope to be able to answer any questions that folk bring up although it’s only scheduled for 20 minutes. Then I guess they’ll be rushing back to pack their tables if they are fellow stall-holders. Visitors should have an hour to make final purchases and walk, float or fly out of the gallery, depending how they feel after watching my gig! They may even dance all the way home.

My old mate Duncan recently sent his summary of my Clay Jug Project. I chose to emphasise the words which are emboldened:

Pete,

I’ve been thinking about where you have arrived at with your Clay Jug project ……

You are now presenting and embracing a set of representations of communications of knowledge from six chosen mystics.

In the beginning was the word and yours is represented by the Jackie Leven chant of Kabir’s Inside This Clay Jug , a memory of the oral tradition of conveying knowledge.

Your presentation contains the vocal tradition through poems, complemented by spiritual dance and music in order to enhance the meditative experience; this is a time before the word was conveyed by writing.

Your clay jug containing scrolls represents the first forms of conveying words.

Your self-made books are a next step in the man’s way of representing knowledge, illustrated by drawing and symbols.

Then, you move to type-set books and try and preserve the original energy of the dancing communications, through layout and emphasis.

Even though you can view this as a historic progression of representing the written word, you are trying to maintain and enhance the meaning and rhythm of the original thoughts and vocal communication of the mystics in all its forms together.

You can view your project as a complete set, with no linear sequence, of the different forms of conveying the knowledge of the mystics, they are presented all together and intertwined, so giving more emphasis to the wisdom of the words and the form does not detract too much from the words.

Your presentation and artefacts created, deliver a dancing pageant of art representing the communication of the knowledge of the mystics through the changing forms of communication.

Duncan Walker (14.2.15)

Duncan has been a friend of mine since we met while playing football for the school team in 1961. He has kept a close eye on the way my art and ideas has developed since we were at school. Another old friend who I met in 1969, Ian Woolard, tried to put a comment on this blog last week. He filled in the form on the blog and pressed send, but it never came through. I wonder if that happens often? I mean, there was about a 20% return in ‘views’ from the folk I notified last week, which is great, but never do I get any comments, which should be coming in if only by law of averages. IF you have commented on my blogs and never got an acknowledgement from me then that would be cos it never showed up in my domain. So, you should make comments in emails maybe, then if you wish me to add them to the blog just say so and if I can bear the view expressed I shall add it in. Ta.

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